idk about this one man, i love slayr so fucking much but this beat is so ass, i hope this isnt the beginning of the fall off bc he has potential to be talked about as one of the greatest rappers ever and he just needs to keep it that way

This album feels like Apollo finally stopped trying to fit into the underground and started figuring out what kind of artist he actually wants to be.

Demon Heart Radio is easily Apollo's best project so far. One of my biggest complaints with some of his older music was that it could feel a little generic at times, but that problem is way less noticeable here. This album has way more personality, way more atmosphere, and way more moments that actually stick with you after the music ... read more

Whitechapel is heavy as absolute fuck from the second it starts until the second it ends. There is no buildup, no warmup, no easing you into it. The album just grabs you by the throat and refuses to let go. The riffs are crushing, the breakdowns are ridiculous, and Phil Bozeman sounds like he is summoning demons from the center of the Earth every time he opens his mouth.

The guitar work on this album is especially insane. Nearly every riff feels like it was designed to level a building. Even ... read more

This album sounds like somebody threw rage, EDM, and Chief Keef into a blender, dropped it down a flight of stairs, and somehow created something hard as fuck.

I genuinely do not know what the hell I just listened to, but I know I enjoyed it way more than I expected to. LET YA SPEAKERS BLEED is one of the weirdest projects I have heard in the underground and that is exactly what makes it interesting. Nothing about it feels normal. Nothing about it feels safe. It just does whatever the fuck it ... read more

I ACTUALLY CRIED LISTENING TO THIS 😭😭😭😭😭😭😭 IN A GOOD WAY THOUGH 🔥🔥🔥🔥🔥

The Valley is one of the few albums that is genuinely devastating while also being heavy as absolute fuck. A lot of bands can make emotional music and a lot of bands can make brutal music, but Whitechapel somehow managed to make an album that excels at both. One minute you're headbanging so hard your neck hurts and the next minute you're sitting there processing what Phil Bozeman ... read more

This album has enough filler to stuff a fucking mattress.

WAY2GEEKED has some really hard moments on it, but as a full album it ends up feeling way more inconsistent than it should. There are definitely songs on here that still hit and remind you why KanKan built such a dedicated fanbase in the first place, but getting through the entire project can feel like a chore at times.

The biggest issue is the amount of filler. A handful of tracks go hard as shit and have that laid back, drugged-out ... read more

I'm so disappointed 😔

This album is kinda underwhelming overall. Not terrible, but definitely not what it could have been. There are a few standout tracks that are genuinely amazing, but the rest of the project feels like it gets dragged down by a lot of filler that really did not need to be there.

The Whole World Is Free is easily one of the best songs on the entire album. That track is insane and honestly feels like it should have set the tone for the whole project. Made Sum Plans ... read more

HACKLE FILL ME TF UP KING THIS IS CRAZYYYYYY 🔥🔥🔥🔥🔥🔥🔥🔥

Haunted Nation is hard as fuck from start to finish. Hackle sounds genuinely pissed off through this whole album and it makes the energy hit way harder. The aggression in his voice mixed with the production gives the entire project this super heavy atmosphere that makes it perfect gym music. This is one of those albums where almost every song makes you want to start moving instantly.

The beats are insane too. Dark ... read more

ZEL LOST HIS MIND BRO WTF!?!?!?

This album is hard as fuck. Denzel absolutely loses his mind on this project and some of these flows are genuinely insane. Every song feels packed with energy and confidence and it sounds like he was having the time of his life making this tape. The whole project has that aggressive southern trap energy all over it and it works perfectly for him.

One of the biggest strengths of the album is the feature list. It is stacked as hell and most of the features ... read more

yit.mp3 is hard as fuck and probably one of the more interesting rage EPs I have heard in a minute because it actually switches shit up instead of sounding the exact same for 10-15 minutes straight. There is a good amount of experimentation on here and it keeps the project way more fun to listen to. Some songs are more melodic, some go full energy, and some just sound weird in a good way.

The beats are crazy too. The whole EP has that bouncy rage sound but it still feels different enough from ... read more

ISAAC WHAT THE HELL IS GOING ON 🔥🔥🔥🔥🔥🔥🔥

Sweet Hz is actually so fucking addictive. This is one of those albums where you play one song and then suddenly the whole project is over because everything flows together so well. The transitions are smooth as hell and nothing feels out of place. It just keeps moving the entire time without getting boring once.

The beats are insanely bouncy too. Every song has energy and movement to it and it makes the whole album fun as fuck to ... read more

This project is a mess.

The beats are actually solid, which makes it worse. There are moments where the production has real bounce and atmosphere, like it is setting up something that could go crazy. But then Nettspend comes in and completely fumbles it. His voice sounds unstable the entire time, like it is cracking every few seconds, and it kills any momentum the beats try to build. It is not even in a raw or emotional way either. It just sounds unpolished.

The rapping is not there. The flow ... read more

Chuck is easily one of the strongest albums in Sum 41’s catalog and one of the best rock releases of its era. This project took everything the band was good at and pushed it to a higher level. It kept the energy and catchiness people already knew them for, but added heavier guitars, darker themes, sharper songwriting, and a more mature sound. The result is an album that hits hard emotionally and sonically from beginning to end.

What makes Chuck so great is how balanced it is. The album ... read more

Half Blood (BloodLuxe) is one of the hardest rage projects out right now and it is not even up for debate. From the original to the deluxe there is zero filler. No skips, no throwaways, no dead weight. Every track actually has a purpose and the project feels fully locked in from start to finish. It is not some rushed playlist of songs. It is a complete body of work with real structure and identity.

The vocals stay clear and direct the whole way through. No overprocessed mess, no hiding behind ... read more

Osama Season hits me as pure energy first and foremost. This is the kind of album I throw on when I need something loud and aggressive that doesn’t overthink itself. The beats are hard, the tempo stays high, and most of the songs hit immediately. As a gym album, it works perfectly. It keeps the momentum up and never really loses that adrenaline rush.

What I like most is how consistently hard the project goes. There aren’t many moments where it feels lazy or low effort. Even if a ... read more

When I first listened to If Looks Could Kill, what stood out immediately was the production. The beats are clean, dark, and polished, and they lock perfectly into that cold opium aesthetic. The atmosphere carries the whole album for me. It feels moody, detached, and stylish in a way that Destroy Lonely does really well, and I can tell a lot of care went into how this project sounds as a whole.

I also respect how consistent the album is. There is a very clear vision here, and he sticks to it ... read more

Helix is one of those albums that immediately reminds me why I ever cared about heavy music in the first place. From the moment it starts, everything feels sharp, intentional, and absolutely locked in. The riffs are brutal without being sloppy, the drums feel relentless, and the production makes every hit land with purpose. This album doesn’t just go hard, it feels precise, like every sound was placed exactly where it needed to be.

What really sells Helix for me is how distinctive it ... read more

Going into The Weight Of Sound, I was honestly caught off guard by how heavy it is. This is easily the heaviest Crystal Lake has sounded in a long time, and that part really worked for me. The riffs are crushing, the breakdowns hit hard, and there’s a constant sense of aggression that kept me locked in on first listen. From a pure heaviness standpoint, this album delivers.

What I did not expect at all was the amount of features. I went in assuming there would be none, maybe one at most, ... read more

When I listen to mud up, it feels like a full-on rage collaboration done right. The album has this dirty, chaotic energy that never really lets up, but it doesn’t feel random. From my perspective, it sounds like both yit and Muney Capri actually understood each other’s style and built something cohesive instead of just trading verses on random beats.

The production is the biggest strength for me. The beats are aggressive, distorted, and bass-heavy, but still catchy enough to stick. ... read more

When I listen to BLOODY ANGEL, it feels like Sematary hitting a perfect balance between chaos and control. The album is aggressive and dark, but it also feels more refined than just pure distortion for the sake of it. The atmosphere is heavy and menacing, and it pulls me in almost immediately. It sounds like he knows exactly how far to push the sound without letting it completely fall apart.

The production is insane. The beats are loud, gritty, and suffocating, but they still leave room for ... read more