Night Visions was, and still is a massive record. It's built upon very pure emotions and a pretty clear mission statement. It has a strong conviction and, on top of that, loads of pop appeal. The album is probably best known for some of its singles: the sweet, uplifting anthem 'It's Time' was played nearly nonstop in its prime, it's dinky intro leading into a powerful track with a strong drive. There's also the classic 'Demons,' perhaps one of the weaker of the singles. It's weird kick drum sound and less upfront sound doesn't live up to the hype of other singles on the record, but that didn't stop it from being a big single.
Of course, no one can forget 'Radioactive.' Even if you tried you couldn't forget it - chances are you heard it so many times in 2012 and 2013 that you got sick of it. The ad nauseam radioplay may have gotten to you, but while listening to it with purpose, you remember how massive of a song this is. 'Radioactive' earned its right as one of the biggest pop songs of the decade for good reason - the massive, glitching synths paired with the immense percussion really redefined and owned the anthemic vibe of music. What's even more massive than 'Radioactive' is the live version of the song - if you want a whole new beast to deal with, check that out.
Night Visions has a very strong grasp on how pop rock works. The rock n' roll vibes are part of the record - "cute" songs like 'On Top Of The World' are present, providing for a genuinely fun listen, while other songs like 'Tiptoe' have a darker sound to them but still maintain a big drive. Even the bonus track 'Rocks' has some fun vibes to it! There's a lot of great variation on this record, and it's all under the umbrella of rock and pop. Imagine Dragons weren't afraid to take a few risks, either - 'Bleeding Out' is a very different song on the record, featuring loops and a more retrospective melody. It's dark like 'Tiptoe' but also carries a different vibe to it that no other songs really have. The album's true closing track 'Nothing More To Say' is somewhat of a risk, too; the six-minute song builds it up to be a powerful and sweet ending - exactly what the record deserved.