Lifeless plunderphonics which were probably thrown in audacity and/or fl studios for 2 weeks or so. Would have made for passable emo rap beats if an extra bit of effort was involved.
I was 16 first listening to this. And after hundreds of listens for the past 3 years, I still don't get bored of this playful, catchy and groovy release. On par with Ramona for the best EXO release.
Raunchy release. From modeseven's conflicting cover art to the melee sampled CUM MONOLITH, it certainly entertained me in it's own depraved playful way.
The worst thing about this is I relate a lot.
A lot of emotion laid out here but a lot don't connect as well for the fourth time in a row. The unhealthy relationship topic is brought up more than once and none sound developed at all, making it sound childish in a sense; Like 2 days into a teenage break up. Production-wise it started out strong and then took a safe R&B route, especially for alternative. Joji's vocals scarcely shined in about 2 or 3 tracks as the rest sounded either moopy or damped to cover up unrehearsed vocals.
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Brilliant concept, story-telling, lyricism, beat, flow, etc. Kendrick's magnum opus.
Sterile music with identity patchwork. Save for the first three and quit, it's not worth a full listen.
"Mix a slowed down version of 80s/90s records in a pit of magic tools and you got yourself Scuderia." is how I started a review for this when I first got into vaporwave. And it still holds up as my absolute fav vaporwave record. I remember seeing this in the recently rated records panel on rym's homepage and clicked right away just for the tanktop anime girl. Good times.