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An album that becomes greater with every listen. The sound is so fluid, like a painter's palette. It's a free-flowing fusion of non-functional harmony

About First song, it maybe:
// Key: D major context
DM7/B-Bm-Bm7-Bm7-D-D-D-D-G--G-GM7-GM7/F#-GM7/E-GM7/E-G7/F-Em7b9/D-Fm6-
// Modulation to Ab
Fm6-E7b9/F-Fm-Db/F-Ab/F-
// Modulation to C ... read more

The Sonic Politics, Corporeal Rituals, and De-Semantization Aesthetics of Die Lit: Floating Traps in the Genealogy of Cloud Rap
Playboi Carti's Die Lit is a paradox: an album constructed upon principles of extreme minimalism that simultaneously operates as one of contemporary music's most intricate experiments in decentralization. If the history of modern pop music has revolved around an impulse to construct meaning—whether through political manifestos, lyrical ... read more

I’m honestly surprised by how many comparisons to EUSEXUA are being thrown around in the comments. Are these two albums really related in any meaningful way? It’s almost comical at this point.
But putting that aside, choke enough is undoubtedly one of the best albums of the year so far—possibly even a top contender. The cover art perfectly encapsulates the music’s vibe: a Y2K coolness infused with retro nostalgia, evoking the timeless aura of Boards of Canada’s ... read more

When EUSEXUA first dropped, I was utterly disappointed. The album felt tedious, hollow, and largely uninspired. Nothing about it grabbed me. I had high expectations, but they were met with a sense of monotony.

But after a few more listens in the past days, I’ve come to accept it, albeit grudgingly. It's still not particularly engaging, but the pieces fit better with time. There's something lurking beneath its surface, though it's buried in layers of dance-pop convention ... read more