A kind of chaotic, meaningless music devoid of any intrinsic value or significance (referring solely to the music itself)

An album that becomes greater with every listen. The sound is so fluid, like a painter's palette. It's a free-flowing fusion of non-functional harmony

About First song, it maybe:
// Key: D major context
DM7/B-Bm-Bm7-Bm7-D-D-D-D-G--G-GM7-GM7/F#-GM7/E-GM7/E-G7/F-Em7b9/D-Fm6-
// Modulation to Ab
Fm6-E7b9/F-Fm-Db/F-Ab/F-
// Modulation to C ... read more

The Sonic Politics, Corporeal Rituals, and De-Semantization Aesthetics of Die Lit: Floating Traps in the Genealogy of Cloud Rap
Playboi Carti's Die Lit is a paradox: an album constructed upon principles of extreme minimalism that simultaneously operates as one of contemporary music's most intricate experiments in decentralization. If the history of modern pop music has revolved around an impulse to construct meaning—whether through political manifestos, lyrical ... read more

I’m honestly surprised by how many comparisons to EUSEXUA are being thrown around in the comments. Are these two albums really related in any meaningful way? It’s almost comical at this point.
But putting that aside, choke enough is undoubtedly one of the best albums of the year so far—possibly even a top contender. The cover art perfectly encapsulates the music’s vibe: a Y2K coolness infused with retro nostalgia, evoking the timeless aura of Boards of Canada’s ... read more

When EUSEXUA first dropped, I was utterly disappointed. The album felt tedious, hollow, and largely uninspired. Nothing about it grabbed me. I had high expectations, but they were met with a sense of monotony.

But after a few more listens in the past days, I’ve come to accept it, albeit grudgingly. It's still not particularly engaging, but the pieces fit better with time. There's something lurking beneath its surface, though it's buried in layers of dance-pop convention ... read more

club music

Friendzone FOREVER!!

Falling far short of black midi’s prior works. Though traces of their signature sound can still be discerned—retaining that 'high density'—the most glaring flaw is the absence of the dissonant elements that characterized their earlier music. The album absorbs influences from a range of genres, especially Brazilian styles like salsa and MPB, but so much Broadway-esque arrangements give the music a cloying, overly polished feel, making it seem indulgent and superficial ... read more

A masterful synthesis of Memphis rap.

King of the Mischievous South Vol. 2 is hands down the best album of the year so far, with the first few tracks sounding like a revival of the Southern Memphis scene. Track 2, "ULTRA SHXT," is a tribute to Lo Key's legendary single "On That Devil Shit" from his 1994 album Test My Nutz, which is hailed as one of the greatest Memphis rap albums of all time. Curry borrows the same beat and a line from the original, instantly evoking the golden era of '90s Memphis ... read more

omg

This album suffers from poor dynamic range, which, combined with its overly complex arrangements, makes it an exhausting and unpleasant listening experience. The lack of dynamic variation overshadows the intricate compositions, turning what could be an impressive showcase of complexity into a sonically fatiguing ordeal.

This sounds like a mess, with every attempt to blend genres falling flat.

An instant classic, deftly weaving influences from Arcade Fire, Neutral Milk Hotel, Slint, and Sufjan Stevens' Illinois, while also incorporating the minimalist techniques of Steve Reich, particularly evident in the Intro. "Ants From Up There" is our generation's Funeral, masterfully blending these diverse inspirations into a rich, layered sound that feels both innovative and timeless.

I attended BCNR's live performance of this album and found it quite enjoyable. However, their studio recording disappoints with its overly safe and mediocre attempts at expression.

Beyoncé's attempt at country music lacks sincerity, rendering her performance superficial and disingenuous, a disservice to the genre's authenticity.

A flawless masterpiece.
Unlike earlier jazz-hiphop albums by others like ATCQ that relied on looping jazz samples, it features extensive live instrumentation, making it a unique gem. The album’s opener, “Wesley’s Theory,” showcases an incredible acid synth effect that is simply mind-blowing, with contributions from Flying Lotus. With an all-star lineup of producers including Thundercat, George Clinton, Dr. Dre, and Terrace Martin, the production quality is astounding. ... read more

Even considered a proto-slowcore for me, it prefigures the '90s slacker indie vibe with its minimalist sound and melancholic tone.

A flawless act of revenge into a perfect artistic statement.

What is the real FOREVER ?