idk why or how what yard act do sounds good because it doesn’t - it sounds insanely good.
only thing i think this album is missing is a more faced paced banger similar to how the overload is, but an incredible album nevertheless
an album that drags a bit, the start of heaven and start of hell sound extremely intriguing and aim to bring you into sum 41’s punk and metal world, but they just end up repeating the same sort of formula (i get its pop punk but even blink 182 and green day managed to make their recent album have songs sound seperate from one another)
some absolute bangers on here though, landmines could 100% be one of my most played songs of the last few months since it came out, and some guitar solos ... read more
masterpiece, may have been boosted by the fact i listened to this on the train and it fit perfectly, but just a pure emo masterpiece
annoying unbareable music, some good tunes on here but this type of experimental that he has played about with falls flat on it's face, much unlike the previous 2 albums, of which zeroes experimented with a lot more electronics - found zeroes to be much more enjoyable.
"if the industry planted this band, then they should start planting more bands just like this one"
top tracks:
1. can't be mine
2. baby drummer
3. palace
4. radio punk
starts off extremely strongly with the first 5 tracks, and you start to think it is going to sound like the same thing for the whole album - which it kind of does, but bored of babies drum intro brings in a different sort of vibe.
albums like this that have very similar songs work so well when done correctly, if you want this specific vibe of walking through the city feeling on top of the world for 25 minutes, play this ... read more
one of the best and underated 2000s indie albums, post-punky-dancy vibe to it is immaculate and there is not another album like it, its like joy division, interpol and radiohead had a child.
one of my favourite debut albums