supertramp has always maintained a unique style of writing within rock and it will always maintain such characteristics
absolutely nothing wrong and it excels at the progressive metal feeling
it pulls you into alice in chains and i’ll personally say it’s their best, but trust me they don’t stop with the good stuff here
it all feels like a story but to look back at how the state of the band was back at this time is to set yourself in a completely different perspective in the storytelling, which makes each and every detail more and more compelling and perplexing
a very varied album that actually strikes emotional spots very deeply at times
there is no emotion that you can say you haven’t felt after listening to this album
i think this album is really the inside part of springsteen more than anything rather than the message that is spread all throughout his career, so it feels great to have an inside glance at the man behind it all here
no greater set of stories you can give a person, or the world for that matter
i have never felt this way with springsteen and holy hell it feels personal
absolutely nothing to dislike on this album, and darkness on the edge of town is just a pristine masterpiece of a song to go along with the album itself
just an absolutely beautiful and delicate usage of progressive rock with such an amazing guitarist to fill in any possible blank or dull moments
a unique singer with an element of surprise from the seattle sound that shocked the world in a single, but also produced a collection of magic alongside of it that i’m sure many people have missed out on