Half these songs are bangers, the other half are acoustic snorefests with good lyrics
This record has some great tracks, fun riffs, and catchy tunes, but it's marred by two HUGE flaws: the production and the sheer length of it all.
The Good:
This album was a massive return to form for Metallica after St. Anger, going back to their thrashier roots with a little bit of 90's Metallica thrown in for good measure. These songs are energetic, frantic, and solidly constructed. My personal standouts include The Day That Never Comes, All Nightmare Long, and My Apocalypse. The whole thing ... read more
One of the messiest albums I've ever heard. Just the definition of scattershot and unfocused. Feels like a compilation record of 10 different artists
This is an interesting one. After two decades without a new album, Pixies come back with...this?
Indie Cindy feels like it lacks an identity. It's like Frank Black forgot how to be Black Francis in those last 20 years, and had to relearn how to write Pixies tunes. There's no real cohesion through the tracklist, and the quality of the songwriting whiplashes track-to-track.
The album gets off to a pretty great start:
What Goes Boom, a pretty great metal/punk hybrid track with an unexpectedly ... read more
Solid album with some of the most iconic electropop singles of the 2000s. Pieces of What was the obvious weak link here to me, and Future Reflections was a bit of an underwhelming closer, but there's some incredibly creative and interesting stuff on here.
Favorites: The Youth, Kids, 4th Dimensional Transition, Of Moods Bird & Monsters