Way better than I thought it would be. Jimmy Eat World are back!

Bland.

This is the sound I wish the band had pursued on their following releases.

Not as crazy or complex as Vivarium, but all the more straight-forward fun for it.

Twin Atlantic used to be incredibly fun and intricate all at once - not much of that left here.

"we had to do it wrong before we could do it right"

Opeth really hit it out of the park with this one - perfect mix between light and heavy.

spiral out. keep going.

Wanda celebrates raunchy sex rock - and while it's a short-lived, fun album most of the time, it's got some cringeworthy moments too.

Being the last album in Reuben's discography, In Nothing We Trust took everything we loved about Reuben and made it more progressive, more intricate, and most of all, heavier.

Jamie Lenman delivers a fearless double album that violently smacks you in the head first and tenderly caresses you after.

Hauntingly beautiful.

Talk about a strong comeback.
Even seemingly weak singles like Blood on the Sand and Death from Above find perspective on the album - well played.

Lazily repeating their debut album all over again, this band is not made for long-term success.

After Transatlanticism, Death Cab stepped up their game and delivered another gem to the indie rock genre.

I need you so much closer.

Sweeter sounds have never been made.

And So I Watch You From Afar have somewhat lost their edge on this one, let's hope for the best in the future.

Highly energetic and loads of fun all the way through.

Their catchiest album to date, arguably their best one too.