Horror is not evidence that the Mekons have given up the fight against the powers that be that has always informed their music. It does sound, however, like they're wondering if they can shout enough to make a difference at a time when it's desperately needed, and it's a question that needs to be addressed, while subtly demanding their listeners prove them wrong.
If the Meeks of the late-'70s were a well-intentioned shambles, Horror feels considered; Sally Timms' space-whispering leavens founder members Jon Langford and Tom Greenhalgh's spiky agit-pop, but their soft-bodied quality persists. Some ugly truths here, but also a quiet testament to comradeship.
i can't lie, i thought it would sound totally different off the cover. a little ska like at some parts.
| 1 | The Western Design 4:38 | |
| 2 | Sad and Sad and Sad 3:23 | |
| 3 | Glasgow 3:25 | |
| 4 | Fallen Leaves 3:10 | |
| 5 | War Economy 2:55 | |
| 6 | Mudcrawlers 3:19 | |
| 7 | A Horse Has Escaped 2:42 | |
| 8 | Private Defense Contractor 4:04 | |
| 9 | Sanctuary 2:51 | |
| 10 | Surrender 2:31 | |
| 11 | You're Not Singing Anymore 3:17 | |
| 12 | Before the Ice Age 3:25 |