A survey of Black diasporic music, Beyond the Uncanny Valley finds milano. tasked with occupying multiple modes and styles over the course of the record's swift 25 minutes; but as Shapeshyfter established, they come to that challenge with studied ease.
Given time to breathe, to live, to coast, with Shade, Harris has found a new stream to navigate, but with distance, it's clear Grouper doesn't have to commit to one world or another to enjoy their comforts.
Two-and-a-half-hour compilation Tunes 2011-2019 works its way backwards through the last decade of Burial's output, but like many of the producer's post-Untrue undertakings, it generally resists neat and tidy execution.
New voices and ideas fading in and out like ghosts, it's an ambitious second act that meaningfully departs from the proven formula that earned the project early buzz, all to invigorating effect.
It's a concept album charting an arc from despair and isolation to community-minded conviction, with songs logging sonic references to scenes and genres like shoegaze, noise rock and hardcore ... but they're also marked with an emotional depth and artful dynamic shifts that speak for themselves.