Feed the Animals is a wonderful achievement, but don’t take my pseudo-intellectual pontification as proof of anything, go listen to it yourself.
The only thing that prevents Fantastic Playroom from being a wholly perfect creation is the simple fact that, as good as it is, this is still only their first album.
Just about every segment of James’ career is recalled somewhere during Rushup Edge’s running time, and it’s hard to escape the notion that, if the album does not tread a single foot in any new direction, it is as perfect a summation of James’ career to date as you could hope to find.
Return to Cookie Mountain is pretty much the definition of a mixed-bag, albeit a much better album than is usually implied by the term.
There’s no faulting the majority of the music that appears on Can You Dig It? — as a compendium for those who can’t be bothered to actually buy the real albums, I suppose you could do worse.
The Kaiser Chiefs are not a bad group ... just terribly mediocre. For every good song on this album, there’s another that slides in one ear and falls out the other.
If you’re looking for high-concept or cutting-edge, you won’t find it here, but those willing to contemplate a more tranquil musical design will find much to appreciate on Morning Star.
If Up In Flames makes anything clear, Snaith is at or near the top of this class. The opportunity to rifle through his back pages yields significant pleasures.