The electronic sonic additions on Essam widen Imarhan’s scope into a panoramic experience that hits emotionally, regardless of language barriers.
The standout head-turners on Sister don’t push any pop boundaries, but when you crank that up with your friends, it doesn't matter.
As incredible as the compositions are on The Prophet and the Madman, the question of who Ami Taf Ra actually is remains a mystery.
All Smiles Tonight forces you to feel the weight of what these people you never knew went through in towns you’ve never heard of in countries you’ve never been to.
13 Months of Sunshine does not disappoint in providing guaranteed hits, but the record is torn between what he has always excelled at and what he wanted to achieve.
Fly Anakin’s newest is a tentpole release in the VA rapper’s discography, but (The) Forever Dream can wind up feeling more like a breath of fresh air on some listens than he intended.
Scowl knows how to write a good hook, but Are We All Angels is filled with way more noise than it needs, despite the fact that this is by far their least aggressive project yet.
Portrait of My Heart is beautiful, emotionally potent, and intricate. So in other words, it’s just another Spellling album.
It’s a cool concept, but across both records, almost never tracks as closely as it should to the feelings the actual music creates. But that’s beside the point—Whatever the Weather II may tread familiar ground as she drifts towards the idiosyncratic side of her discography, but James’ most fruitful experimentations come from when she cuts the bullshit and hones in on a single musical concept.