Peter Thomas Webb
Brimming with cosmic musings and darkened Americana, My Light, My Destroyer earns Cassandra Jenkins a place among the best contemporary singer-songwriters.
1y
Conceived in a spirit of celebration, Kasabian’s eighth LP is a concise, stadium-friendly set of danceable, infectiousness pop-rock for life’s brighter moments.
1y
His latest record, Fearless Movement, is less a conventional jazz album than a brilliant exploration of the hybrid potential in jazz, pop, hip-hop, and classic R&B.
2y
British indie artist Jane Weaver bridges the experimental textures of her earlier work with accessible pop gestures on her latest album.
2y
Ride continue their second phase with ‘Interplay’, an album full of melodic atmosphere lacking some of the creative yearning heard in their earlier work.
2y
Guy Garvey and company return with renewed energy, a punchier attack and infectious grooves on Elbow’s tenth studio album, Audio Vertigo.
2y
For an artist of such longevity to remain so vibrant is rare. Focus on Nature is a testament to how good songwriting and solid musicianship, in the right hands, never grow old.
2y
Former Oasis frontman Liam Gallagher and Stone Roses guitarist John Squire sound reenergized on their new collaborative album, but the songs never catch fire.
2y
Iron Maiden singer Bruce Dickinson overcomes creative and personal struggles on his first solo album in 19 years, The Mandrake Project.
2y
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