In some ways, the apex of the album is that it reminds you of what a great band Broken Social Scene were ... with plenty of hope, humanity, and upbeat horns, Remember the Humans certainly offers a warm hug.
Amid the microtonal menagerie is searing originality that deserves to be applauded in an age where human ingenuity is supposedly under threat. Vol II knocks that notion to the moon with startling silliness and laughable virtuosity.
Thrilling noir and full of ideas about the nature of time, technology, and even modern medicine, there’s no doubting that Take Me Back to Nowhere is a full-on album. But it’s an onslaught that usually proves thrilling, often feels vital, and in the moments in between, it is merely catching its breath.
The writing is sublime as the show tunes musing on the mortality of man unspool with a jaunty spirit. Raindrops might keep falling on the head of this heavy record, but there’s more than enough Burt Bacharach charm to ensure Rainy Sunday Afternoon dances in the puddles.
The album remains an unpolished time capsule—welcoming you into a get-together with Jeff in the late 1970s, where you find a man of supreme talent and charisma, brimming with ideas about monkeys, William Burroughs-like prose, an odd fascination with the Hindenburg disaster, and his very own Wreckin’ Crew ready to groove to the sound of downtown LA.
I’ll Be Around finds the Native American star at his most personal, and it is both crushing and captivating.
Szmierek rattles off poetry with a quirkiness and a sense of that quirkinesses importance. Alongisde catchy beats with propolsive rhythms, his words earnestly paint pictures of today with wry brushstrokes.