Daniel Dylan Wray

It's some of Barnes' finest work.

It's knowingly daft in parts, and clearly the band are having a good time, but beyond the irony and sometimes silly lyrics lies a group with impressive chops who can pull off this jagged post-punk as seamlessly as sugary indie-pop.

It’s as musically considered as it is lively.

An album that is clearly having a blast while showing blatant disregard for genre convention.

Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date.

The naked, more soul-leaning title track works nicely, as do the almost cosmic jazz explorations of “Didn’t Come To Argue” (featuring Monica Martin), but for all the heavy sentiment and weight here, the results sometimes feel hollow.

It's a beautiful collection of genre-hopping songs.

Subtle it is not, but it's thrilling, adrenaline-pumping stiff that's fun as it is angry.

London band grapple with adulthood on album of emo-tinged slowcore.

A truly singular record.

This is a record that has both groove and bite.

Former Palma Violets man tackles childhood grief on eclectic return.

These are dark and heavy songs for dark and heavy times.

Landmark ambient album gets expansive boxset treatment.