___bodacious

Mother Monster delivers yet again and this time, she does it unapologetically as herself. No persona. No character. Just Gaga. Which is why it's aptly named MAYHEM. The production of songs is chaotic and loud at times, but not in others. And somehow it works!

It's the first time in awhile where you can hear she's healed from trauma, seems to be pain free and is happier than ever. She was truly born to make this kind of record and bring it to life theatrically on tour. ... read more

I've been more of a casual FKA Twigs listener, but this one sold me. The club music meets Twigs' surreal world was otherworldly. The production really comes to the forefront on this project, but her serene vocals are still there as ever. And perhaps this is her most commercially accessible album, toning back the experimental sound a little bit and just having fun in the techno space. Get ready to rave!

Another debut that I cannot stop listening to! Rose Gray just gets it. From start to finish, you're taken on a sonic journey of a fun dance pop record that's especially perfect for the beach or poolside (I mean, hello, look at the cover!). I appreciate the gritty and authentic edge Rose Gray brings to the table. This girl's just getting started!

I can't remember the last time I was so enveloped in a music artist's era, especially a debut studio album. As the singles were released, she kept outdoing herself! Only a full-blown pop girlie would understand all these pop references and use them in a way that some how feels fresh and new. Truly in awe at what Addison created with Elvira and Luka. Their collaboration made one of the best albums of the year for me.