"I'm happy you enjoyed it homie! His solo stuff is certainly worth delving into - I'd consider “This Will Work for Now” to be his magnum opus if we're strictly talking solo music"
"I can reaffirm your thoughts regarding Acey being the Fellowship's most accessible member. He also flirts with mainstream appeal later in his career with middling to awful results [see: his atrocious dancehall album titled Lightning Strikes]. Myka does so as well, albeit mostly on individual tracks rather than entire albums [see: Snake Bite, Cadillac Nights, and tracks 7-9 on Sovereign Soul]. Doesn't make them any less influential/important though :)"
"@TopHatGoose
Thank you for the kind words! I just finished a lengthy, albeit immensely fruitful, freestyle fellowship dive [including abstract rude & BUSDRIVER's discographies], so feel free to holler if you have any questions. Acey's discography is excessively long and highly inconsistent, although not without a few classics; his first two albums are required listening.
I do have a list where I chronologically document the art-rap movement, if it's of interest to you. It's up on both RYM and AOTY, although the version on RYM is 1000 times better due to all the additional features that the website possesses"
"Self Jupiter, in contrast to the rest of the Fellowship, really integrated himself into the art rap movement. He later remained in proximity to the “Otherground” by collaborating with Milo, Billy Woods, K-the-I???, BUSDRIVER, and even Doseone, Buck 65, Mestizo, Aesop Rock, Shrapknel, and Why??? on an A7PHA song. It makes tons of sense though, considering that he’s a progenitor to the styles of the aforementioned artists. You should check out “The Kleenrz Present: Season Two,” as it’s his best album [according to me] :)"