Amy Winehouse - Tears Dry on Their Own
86

πŸ‡ΊπŸ‡Έ: Perhaps the most pop song on the album. Certainly well-intentioned and positioned with all the necessary Soul to maintain cohesion, yet daring to aim for something much more massive. The vocals and production are incredible, completely unique for the time, with still a creative lyric.

πŸ‡§πŸ‡·: Talvez a música mais pop do disco. Certamente bem intencionada e posicionada com todo Soul necessário para ainda ter coesão no álbum mas se arriscando a algo bem ... read more

Britney Spears - Gimme More
100

πŸ‡ΊπŸ‡Έ: Perhaps the biggest song of her career, it succeeds in all the main aspects. It features the most fitting vocal performance for a more mature Britney, with extremely provocative lyrics that have a double meaning about her personal life and production on par with her biggest hits. It was a refreshing new sound at the time, and deliciously Pop.

πŸ‡§πŸ‡·: Talvez a maior música da carreira, ela consegue ter sucesso em todos os tópicos principais. A performance vocal mais ... read more

Britney Spears - Someday (I Will Understand)
68

πŸ‡ΊπŸ‡Έ: It’s quite remarkable that this song was a solo composition by the artist. With one of her most well-crafted vocal performances, it’s an appropriate track, but perhaps the shine lies more in the meaning of it all than in the quality itself. Guy’s production somewhat fails to attach any identity, which may cause it to get lost among others. However, it is still a fitting glimpse of her poetic ability.

πŸ‡§πŸ‡·: É bastante notável o fato de que essa ... read more

Britney Spears - Toxic
100

πŸ‡ΊπŸ‡Έ: The enduring strength of the track, nearly two decades later, demonstrates the magnitude of this song. From its inventiveness in mixing surf rock elements, spy strings, and Bollywood samples to the artist's bold vocals and Cathy Dennis's provocative lyrics, everything sounds just right. It's one of the greatest assets of Dance music and undoubtedly a perfect match for the artist's vocal style.

πŸ‡§πŸ‡·: A força contínua da faixa, quase duas ... read more

Britney Spears - Me Against the Music
69

πŸ‡ΊπŸ‡Έ: Look, it’s not that it’s a bad song, but it’s a bit disappointing when it comes to the collaboration of two pop titans. The song works fairly well within the context, but it sounds somewhat dated, lacking the perceptible shine of either artist. It has a bureaucratic feel typical of partnerships that would become common in the following years. The production is good, though.

πŸ‡§πŸ‡·: Veja bem, não é que é música ruim, mas ela é um ... read more

Britney Spears - Boys (The Co-Ed Remix)
41

πŸ‡ΊπŸ‡Έ: There are few instances where the remix of a single can significantly worsen a track from an album, especially when it was one of the highlights. The addition of Urban beats does not make the song shine, and the brilliant two bridges from the original were replaced with a cliché and unnecessary break. The vocals of the duo also do not blend well, and the boy/girl dynamic feels uninteresting and repetitive once again.

πŸ‡§πŸ‡·: Existem poucos casos que o remix do single ... read more

Kylie Minogue - Padam Padam
83

πŸ‡ΊπŸ‡Έ: It’s a delight to see Kylie in the electronic realm, especially in a track that manages to explore her vocals in an elegant way, showcasing the versatility that only a pop veteran could bring. The lyrics pique curiosity both in the narrative and through the intriguing use of the term "heartbeat," accentuated by the modernity of the production and the rhythmic beats. I would say it could use a bridge, but that might just be nostalgia talking.

πŸ‡§πŸ‡·: É um ... read more

Cher - Believe
94

πŸ‡ΊπŸ‡Έ: Undoubtedly one of the best pop songs of the period. It features a poetic and powerful composition reminiscent of the Disco hits from 20 years earlier, with a modern twist for the time and excellent choices in vocal performance. The robotic effect comes in more prominently at the end, creating a catharsis of "life after love."

πŸ‡§πŸ‡·: Inquestionavelmente uma das melhores músicas pop do período. Uma composição poética e forte como os hits ... read more

Taylor Swift - Cruel Summer
100

πŸ‡ΊπŸ‡Έ: It's understandable that the song went viral years later. It had already drawn attention at the time. The lyrics are catchy in the verses, addictive in the chorus, and inventive in the bridge. Antonoff's production also adds unique value to the explored Dance genre, and the vocal performance shines, bringing an extra flair with the playful vocal embellishments.

πŸ‡§πŸ‡·: É compreensível que a música tenha viralizado anos depois. Ela já havia ... read more

Selena Gomez - Hands To Myself
100

πŸ‡ΊπŸ‡Έ: There are very few occasions where a pop song manages to fit well into everything it sets out to do, and this is one of them. With brilliant production, all the possible colorations, a catchy chorus, clever lyrical wordplay, and the artist's best vocal delivery to date, it is undoubtedly one of the best songs of the decade.

πŸ‡§πŸ‡·: Existem pouquíssimas ocasiões aonde uma música pop consegue se encaixar bem em tudo que de propõe a fazer, e essa ... read more

Sabrina Carpenter - Espresso
81

πŸ‡ΊπŸ‡Έ: A highly addictive song. The production is simple but brings out the best in the music and the artist. The smooth vocals manage to keep you hooked, but there's a slight lack of irreverence that the lyrics demand, as they are the highlight of the song.

πŸ‡§πŸ‡·: Uma música altamente viciante. A produção é simples mas tira o melhor da música e da artista. Os vocais suaves conseguem te manter preso mas falta um pouquinho de irreverência que ... read more

Cher - Take Me Home
83

πŸ‡ΊπŸ‡Έ: Not only does the single showcase the artist's versatility, but it also offers a glimpse into one of the perfect marriages between her voice and Dance music. The production heavily relies on classic clichés of the genre but manages to build a scale with nuances and instrumentation that keeps the track exciting even decades later. The lyrical part may be the simplest, but it carries a strength that only Cher could deliver.

πŸ‡§πŸ‡·: Não só o single mostra a ... read more

Mariah Carey - Always Be My Baby
100

πŸ‡ΊπŸ‡Έ: It's the quintessence of the artist: lyrics filled with familiar metaphors, improvisations, and a vocal performance that showcases talent and the necessary emotion. The production is unique, blending Pop, R&B, and a gospel choir that could only work with her. The vibe, reminiscent of the end of the Summer, conveys the hope of a reunion with the optimism of youth.

πŸ‡§πŸ‡·: É a quintessência da artista: a letra com as conhecidas metáforas, ... read more

Christina Aguilera - Come On Over Baby (All I Want Is You)
83

πŸ‡ΊπŸ‡Έ: The song in its original version is strong but quite clichéd; the remix was a smart choice that enhances all aspects of the track. The lyrics received a slightly more mature approach, and the production flirts more with Dance (and a bit of Latin influence), allowing the artist to shine vocally with extremely varied colors. The track still masterfully conveys the enthusiastic hope of the new millennium.

πŸ‡§πŸ‡·: A música na sua versão original é forte mas ... read more

Christina Aguilera - Genie in a Bottle
81

πŸ‡ΊπŸ‡Έ: A challenging task to have such a "debut" (disregarding the single "Reflection") at the end of the decade. The big names had already been established, and here we see the birth of an artist with powerful yet still controlled vocals, a catchy, completely Americanized production, and intriguing lyrics, even if they are somewhat clichéd.

πŸ‡§πŸ‡·: Uma tarefa desafiadora em ter uma "estreia" (desconsiderando o single Reflection) desse tamanho no final ... read more

Britney Spears - Lucky
82

πŸ‡ΊπŸ‡Έ: It’s a very original production, extremely danceable yet still carrying the sweetness of a ballad. The lyrics are well-crafted, telling a story that reflects much of the loneliness experienced by most pop stars (another win for the duo Max and Rami). Vocally, despite the artist's good delivery, there’s a bit of the vocal sadness that she managed to convey in "Baby One More Time," for example, that is somewhat lacking here.

πŸ‡§πŸ‡·: É uma ... read more

Britney Spears - Oops!... I Did It Again
84

πŸ‡ΊπŸ‡Έ: A great start to the project. The song is cleverly written, a successful composition by Max and Rami, both for its wordplay and irreverent attitude. The issue is that this is where the higher-pitched, robotic vocals begin to diminish some of the shine that existed previously. The production manages to replicate the sound of the 2000s while maintaining identity and making a strong impact.

πŸ‡§πŸ‡·: Um ótimo início de trabalho. A música é inteligentemente ... read more

Britney Spears - ...Baby One More Time
91

πŸ‡ΊπŸ‡Έ: A true classic. It features a great vocal delivery, with the distinctive huskiness filled with moans that would become a signature. Max Martin's production is absolutely intriguing, blending R&B elements with late '90s pop. What slightly weakens the track is the lyrical composition, which, despite being catchy and melodic, has narrative flaws and sounds slightly exaggerated in its melancholy.

πŸ‡§πŸ‡·: Um verdadeiro clássico. Uma ótima entrega vocal, com a ... read more

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Recent Review Comments
On Demi Lovato - Unbroken
"@andrebtostes na verdade ela é conflitante, eu não gosto muito do estilo de Produção e da mixagem nela. Acho que o fato dela estar lá embaixo no album e até chegar nela eu já estar cansado, acaba contribuindo"
On Harry Styles - Kiss All The Time. Disco, Occasionally.
"@MusicReview39 eu sinto que as pessoas exigem um algum 80+ e quando não entregam transformam numa nota 40 quando é um álbum "apenas bom". E tá tudo bem ser "apenas bom"."
On BLACKPINK - DEADLINE
"@MusicReview39 a maior verdade, todos os materiais solo foram melhores kkk"
On fleabag_fideo's review of KATSEYE - Internet Girl
"OH MY GOD! YEEEES! It is bad, but sooooo tasty. And so Pop. Let me just have fun, pleeeeeease"
On Starzeinha's review of Taylor Swift - ME!
"@Starzeinha eu fui por aí também, mas só foi caindo kkkk"
On Starzeinha's review of Taylor Swift - ME!
"Não acho um zero, mas aprovo todas as notas baixas dessa kkkk"
On Various Artists - Batman Forever
"@BruJu I would agree, I tend to be a little more harsh on Soundtracks overall."
On Joca's review of Madonna - Ray of Light
"Eu diria que não é a melhor porta de entrada para Madonna. Sugeriria o Like a Prayer, True Blue, Bedtime Stories ou Confessions como primeiro disco para ouvir. Acho que o ROL faz mais sentido dentro da discografia do que isolado (e também com o contexto do eletrônico da época)."
On Alessia Cara - Love & Hyperbole
"@chaz right? I would say even the mixing in her voice feels 2010 but not as stylistic choice and more as a lack of evolution"
On Anitta - Anitta
"@Kauzoness quando eu revisar o ano de 2013 ele deve subir mais, mas eu acho o Bang ainda o melhor dela, e prefiro o RP ao debut"
On Michael Jackson - Bad
"@rcwyou o OLD ♥️"
On Demi Lovato - Here We Go Again
"@andrebtostes obrigado por curtir minhas análises ♥️ Cara pior que eu até gosto dela, só acho que ela é meio "o mínimo que se esperava" sabe? O meu problema com o HWGA está mais nas escolhas e talvez no modo apressado que decidiram fechar o álbum para lançar. Ele talvez precisava de alguns meses a mais para ter coisas mais interessantes na produção em si!"
On LISA - Alter Ego
"@SYNTHZ_Z acho que o segundo álbum dela, quando vier, vai consertar isso porque já fica mais claro o que funciona ou não com ela"
On hellmotel's review of Anastacia - Anastacia
"@hellmotel she's on my list <3"
On hellmotel's review of Anastacia - Anastacia
"I've been wanting to check this for a while, I just know the singles. Know it's a personal review but still got me excited to check her"
On b4's review of Lady Gaga - Abracadabra
"@Felipe_2006 Me deixou bem animado pro Mayhem!"
On b4's review of Lady Gaga - Abracadabra
"Essa nova é muito boa aaaaah"
On vivi's review of Lady Gaga - Abracadabra
"This one is sooo good!"
On Justin Timberlake - FutureSex/LoveSounds
"@SYNTHZ_Z é muito bom! Bastante coeso. Ele é um álbum longo, mas ele consegue manter a experiência bastante coesa e brinca bastante com as interludes."
On *NSYNC - No Strings Attached
"@SYNTHZ_Z com toda certeza! Parece um programa de trainee"
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