Eversince

*Eversince* is the sound of a frozen city at 4 AM. It's the definitive statement of the "drained" aesthetic—a mix of high-fashion detachment, deep-seated depression, and ethereal, crystalline production that sounds like it was recorded inside a block of ice. Bladee isn't just rapping here; he's haunting the beats provided by Whitearmor, creating a world where every luxury feels like a burden and every emotion is numbed by the cold.

Track by track:

Who Goes There — The perfect opener. "Who goes there? It's the ghost of October." The production is shimmering and sparse, setting the atmospheric tone immediately. Bladee's delivery is detached yet melodic, establishing the "loner" persona that defines the record. 92/100

So What (feat. Ecco2k) — Ecco2k's appearance adds a layer of high-pitched, almost angelic contrast to Bladee's deeper, autotuned mumble. The beat is a bit more driving, but the theme remains one of cynical indifference. 88/100

Lovenote — One of the emotional peaks. "Someone free me from my skin." The lyrics lean into body dysmorphia and a desire for disappearance. The production is breathtakingly beautiful, with synths that feel like they're evaporating into the wind. 94/100

Missing Person — The lead single for a reason. It captures the feeling of being invisible in a crowded world. "I'm a missing person, I'm not even here." The track is catchy in its own morbid way, a signature Drain Gang anthem. 90/100

Romeo — A slightly more upbeat moment, relatively speaking. It's got a bit more of a pop structure, showing Bladee's ability to craft hooks even when he's singing about feeling like a ghost. 85/100

Xd Out — The coldness returns in full force. The beat feels hollowed out, and Bladee sounds more exhausted than ever. It's a track about the burnout that comes with the lifestyle he's describing. 91/100

Sick — A shorter track that functions as a bridge. It keeps the momentum going without necessarily reaching the heights of the preceding tracks, but the "sick" metaphor fits the album's sickly-sweet atmosphere. 84/100

Rip — "R.I.P. my hopes and dreams, I don't wanna wake up." This is the core of the album's depressive streak. It's blunt, raw, and uncomfortable, delivered over a beat that feels like a funeral march for a digital era. 87/100

Bloodveil/Stillborn (feat. Ecco2k) — Another collaboration with Ecco2k. The interplay between the two is seamless. The title itself—Bloodveil/Stillborn—perfectly encapsulates the album's obsession with death and the biological. 89/100

Sugar — The masterpiece. "Your blood tastes so sweet / Like sugar, baby." It's a track about addiction and toxic attachment, using vampire-like imagery to describe a relationship. The production is Whitearmor's finest work on the project—dense, shimmering, and absolutely haunting. 96/100

Wrist Cry — A bit more of a standard trap influence here. It's solid but feels slightly more conventional than the more experimental tracks on the record. 82/100

Skin — The closing statement. It's a vulnerable, stripped-back ballad that removes the trap percussion and leaves Bladee's voice exposed over a ambient, swelling synth. "If you can't tell, I'm not doing well." It's a devastatingly honest end to a cold journey. 95/100

**Top 3:** Sugar / Skin / Lovenote
**Bottom 3:** Wrist Cry / Sick / Romeo

*Eversince* is a landmark of the cloud rap and emo-rap subgenres. It's a cohesive, atmospheric journey that manages to be both alien and deeply human. While the autotune and "low-energy" delivery might be an acquired taste, for those who "get" the drain, it's a near-perfect experience. It captures a very specific type of modern melancholy that few other artists have been able to replicate.

85/100