CMYKursed

The album starts off strong, showing flashes of the raw emotion and introspection Hayley Williams is known for. But as it progresses, the songs begin to blend together—most of them share a very similar sound, and the energy often feels subdued, almost like it was recorded at home.

While the intimacy might be intentional, it sometimes comes across as underproduced. The stacked vocals, which could’ve added depth, end up feeling more distracting than powerful. There are definitely ... read more

This was my first real encounter with Geese, and I’ve never listened to an album that managed to evoke both heartbreak and annoyance at the same time. The entire record feels like being the supportive friend of a drunken companion who’s just been dumped—one moment he’s sharing the most heartbreaking and intimate confessions you’ve ever heard, and the next he’s rambling incoherently, contradicting himself three times in a single sentence.

There are plenty of ... read more

At first, I saw the ratings people were giving this album and thought, “I’ll die on this hill defending it—it’s so good.” And honestly, the first few tracks really are. The chemistry between Drake and 21 Savage feels sharp, and some of the beats go crazy. The contrast between their styles keeps things interesting and makes the first half genuinely enjoyable.

But after those opening tracks, the album starts to lose steam fast. The quality dips noticeably, and it ... read more

The playlist features some standout tracks that evoke a sense of nostalgia, reminiscent of classic Kendrick songs. It feels like a collection curated for a specific generation—one that grew up with his music and can appreciate the evolution in sound and message.

If I remember correctly, the album dropped unexpectedly, without any prior promotion, and it definitely made an impact when it did. There are a few standout hits that carry real weight, though some tracks feel a bit more ... read more