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Most of the time, Cobrah’s overly explicit approach ends up being more off-putting than provocative.

There are still some genuinely interesting cuts here, tracks like “Platinum,” "Torn," “Dog,” and “Hush” are actually enjoyable and manage to stand out thanks to their darker atmosphere and unique energy but as a whole, the album feels more like an attempt to sound shocking and seductive at the same time rather than fully developing its own ... read more

Every time I see an album getting scores this high from critics and especially from users I usually wait for the review-bombing and hype to calm down before giving it a fair, unbiased listen. And honestly, this album is ridiculously good.

If you loved BRAT, then this album was basically made for you. From “DANCE..” all the way to “YES GODDD,” it’s an absolute club fest in the best possible way. The energy, the beats, the EDM genre blending, the vocals E V E R Y T ... read more

The wokest friend you know from a first-world country made an album.

Genesis Owusu managed to deliver what genuinely feels like a perfect FIFA/FC 26 soundtrack opener with energetic tracks, dystopian lyrics and packed with social commentary. The first half of the album is incredibly strong, especially up until “The Worldwide Scourge,” which stands out as one of the most introspective and beautiful tracks on the project. It tackles the struggles the world is currently facing ... read more

As someone whose country is heavily influenced by Jamaican music, I really hate when Drake tries to sing in a patois accent. We can all tell he’s not even Caribbean, yet he still tries to sound like them and sadly, Popcaan has been backing him up. He should honestly stick to rap/hip-hop, even though it’s not really his best these days.