QUÉ COÑO HACE PESO DEIDAD EN BULLY??????????
This might be the emptiest I’ve ever felt while listening to an album. There’s not even a single fucking interesting song on it, when, let’s be honest, everyone was expecting at least some minimally deep lyrics from this former nazi, pro-KKK, drug-addicted, almost 50-year-old superstar who might feel even a tiny bit sorry about it...
anyway “All the love” is fine, even if it doesn’t fit at all into ... read more

(review hecha a fecha de estreno del disco y un poco cansado he de admitir, se viene una nueva reseña pronto porque wow si mi opinion ha cambiado)
(59) En general es un disco que a veces funciona bastante bien y la banda tiene potencial, sobre todo instrumentalmente; el problema es cuando lo tiran por la borda para hacer partes super repetitivas en casi todas las canciones. La verdad se me ha hecho largo pero bueno sigue siendo un disco de 1 hora, aunque hay que decir que merece la pena ... read more

Holy album rollout girl

(volume warning)
https://www.youtube.com/watch?v=PGY4DoNoA8w&list=RDPGY4DoNoA8w&start_radio=1

MOTHERING ON THE DANCE FLOOR THERE WE GO

y hay que prohibir el autotune, muchas gracias.

Bueno no sé ni por qué me he puesto a ratear singles españoles ni por qué este tema no es un hit global, es literalmente perfecto. Desde el primer bombo de la intro ya tengo una sonrisa de oreja a oreja y luego cada nota de la outro me saca una lagrimilla tonta ughhh es genial

Pero por Dios santo qué necesidad de sacar este remix tan cliché y encima y con voces originalmente muy destacables que ahora suenan como el culo además de fatal recortadas. La idea de sacarle un remix techno aunque bizarra era bastante interesante y justo por eso me decepciona tanto

Everytime I have seen Ye say something weird and bipolar shit on twitter I just put "I Love Kanye" and laugh sarcastically

Uhhhh my gooood, this is like the smoothest album ever made and one of the most influential in indie music history. Its hits really, really hit, the lyrics are memorable, and every vocal performance is mesmerizing to me. Overall though, I have to rate it highly because, dude, they were making noise music in the ’60s and had already mastered it flawlessly. Something that often happens to me when I listen to a genre masterpiece is that I do my research beforehand, and then when I finally ... read more

Aww man i really was expecting more from Denzel and this new collective he has assembled. Ngl some of its members were consistently fine on their styles, like Tia with her bragadocious flow and Ferg with his kind of funny way to drop bars, but beats are too predictable during almost every song except for that slight beat switch on "mutt that bih", i liked that a lot honestly but the rest ughhh. oh btw we're not gonna talk about how bad "tan" is cz it almost gave me ... read more

Yeah, this is fucking mindblowing. It has some misses, but for every song that doesn't fit it gives you a bunch of beautiful melodies and musical accompaniments performed with very exotic instruments. Also bizarrap producing a good song? Don't need to say this album's concept and characteristics really deserve the time to analyze. For the love of God, it's not human how these guys still break their genre's frontiers with every good album they release, never stop ... read more

I'm writing this after just listening to The Manifesto on The Mountain album to say I'm 100% sure none of the following songs are gonna match this, it's just impossible cause these are 7 minutes of absolute perfection; Trueno definitivamente se puso las pilas el año pasado entre esto y su parte en "Gil" de Milo J lol
p.d.: I was fucking right

My first album experience with Mitski’s music was pretty much what I expected, which isn’t a bad thing at all! Overall, it’s sweet music, with heartfelt lyrics from her and some funny, already iconic songs as this album’s singles are.
Honestly, I don’t know what else to say. It’s very consistent both thematically and in terms of quality. Some moments that break away from the chamber-pop atmosphere, like the single “Where’s My Phone” and that ... read more

I take back what I said about Quebec. This record is the pinnacle of emotional intelligence, and it was instant love at first listen. On this record, Sufjan finally seems to synthesize both his indie-folk and experimental electronic production styles, which I’m really hyped to hear on The Age of Adz. He throws some of the most beautiful sounds ever made right in your face, like in that “Goodbye Evergreen” section, or by creating a perfect fusion of synths and orchestral ... read more

This concept album is so dense both lyrically and instrumentally, so detailed, whimsical, well structured and full of greatness it makes me feel like I only know 20% of it out of my first listen. It might take me a few more hours with Sufjan's music to get used to it and actually like it, because yeah, I'm not so in love personally with this, but fuck I gotta rate it high because every song is too creative, they all grab you and pull you into every zone they reference, its sound ... read more

the closest I’ve ever come to hypnosis while listening to music.

(The Math top 2 songs of the year)
Whaaaaaat a surpriiiiiiiise
I was not really expecting to enjoy a soul album this much. I'm not really into it, no matter how hard I try, but yeah this was lovely.
And I mean that literally, every song on here talks about loving yourself, your partners, your ancestors and your present, so it's almost impossible you don't feel a bit happy while listening to it although sometimes it gets cornier than expected. Even so, the songs I enjoyed the most ... read more

Found genius how with just a few lines she tells the story of a mutual love that required more commitment than usual, which ends up pushing the other person into regret despite their success in life. The way the pressure gets passed from one person to another is very good, the whole track is instrumentally perfect and thAt ChOruS is JUSt aAAAAAAAAAH too catchy.

What can I say? it's finally here and it made me cry honestly.