I couldn't expect anything else from Erin to be honest, he's a good musician and a poli-instrumentalist and this album is entirely produced by him, there's not a bad instrumental on this, every track is catchy and has that little flare to it that makes it distinguishable from one another, whether that could be the bass section in "Lacrime rosse" or the synths at the end of "100 scheletri" or that accordion sound in "Forbici", there's so many examples, the only ... read more
I can't fathom why this album has 18 tracks, there's a bunch of tracks that are just fillers but even though there are too many tracks none of them is actually bad, more like insipid, instrumentals are diverse and kinda good, most of them are trap or rap but some are also bland pop or even raggae or R&B but a good chunk of them feel a bit generic and outdated, not particularly crazy about the way the tracklist is organized, too many mellowish songs after songs that are gloomy and energic, ... read more
The album is really easy to listen to and it's pretty much flawless but what I really liked about this album is his ability to mix words together and make them extremely pleasant soundwise, even the lyrics aren't that complex but he puts so many references in the verses that it doesn't feel repetitive at all, his flow and timbre are also really fine, can't wait to hear more of him.
โโ ๐๐ณ๐ข๐ค๐ฌ ๐๐ข๐ต๐ช๐ฏ๐จ๐ด โโ
Hybris: ๐ณ๐ญ
Kabuki: ๐ณ๐ฑ
No Gimmick: ... read more
Definitely not my cup of tea, it also talks about soccer so I can't even relate.
Probably his best solo album to date, this is an album fullfilled with influences or samples from hits of the past and because of that, instrumentals are pretty much the selling point of the record, his rapping is good don't get me wrong, he uses many good flows on most tracks and even the most outdated bars or punchlines sound new (although the feeling of them being stale it's still present), but the instrumentals are really the highlight of the album, Bassi Maestro did a perfect job refining ... read more
Well well well, who could've guessed that an album with the premise of being a huge playlist with different moods and genres with no artistic direction or cohesion at all would be such garbage? Anyway, aside from my own expectations, this turned out to be really bad, maybe even worse than I thought, you can feel that this is soulless and painfully generic and empty, he wasn't that good with rap in the first place so what baffles me is: why the hell did he thought approaching other genres would ... read more
Love the new song, the two acoustic versions are alright but I still prefer their original versions.
///// ๐๐ณ๐ข๐ค๐ฌ ๐๐ข๐ต๐ช๐ฏ๐จ๐ด
Tutto il resto è noi: ๐ต๐ฑ ----- [ FAV TRACK ]
Favolacce (Acoustic Version): ๐ณ๐ฏ
Passerà (Acoustic Version): ๐ณ๐ฑ
A deluxe with only piano versions of already existing songs was a good idea, most piano versions are even better than the originals.
โโ ๐๐ณ๐ข๐ค๐ฌ ๐๐ข๐ต๐ช๐ฏ๐จ๐ด โโ
Ouver2re (Piano Solo): ๐ฑ๐ฌ ----- [ LEAST FAV TRACK ]
Re Mida (Piano Solo): ๐ด๐ฎ
Morto Mai (Piano Solo): ๐ด๐ฑ ----- [ FAV TRACK ]
Netflix (Piano Solo): ๐ด๐ฌ
Superman (Piano Solo): ๐ณ๐ต
24H (Piano Solo): ๐ด๐ญ
Catrame (Piano Solo): ๐ฒ๐ฐ
Desperado (Piano Solo): ๐ฑ๐ฑ
Really disappointing, there are some good tracks but all these 5 tracks are completely forgettable and add nothing to the original record that was better and had way better tracks.
โโ ๐๐ณ๐ข๐ค๐ฌ ๐๐ข๐ต๐ช๐ฏ๐จ๐ด โโ
Ouver2re: ๐ณ๐ฒ ----- [ FAV TRACK ]
Gigolò: ๐ฐ๐ฎ ----- [ LEAST FAV TRACK ]
Dry (La mia ora): ๐ฐ๐ต
Million Dollar: ๐ณ๐ฐ
Frio: ๐ฒ๐ณ
It drags for way too long and has a couple fillers but nonetheless it's a fine record with many good tracks, he makes good punchlines has good flows and his energy throughout the whole record is contagious but those beats were already outdated in 2019 and they sound even worse now in 2023, it's still a quite fun enjoyable listen but it gets boring pretty fast.
โโ ๐๐ณ๐ข๐ค๐ฌ ๐๐ข๐ต๐ช๐ฏ๐จ๐ด โโ
Per sempre: ๐ฒ๐ต
Box Logo: ๐ณ๐ด
Re Mida: ๐ด๐ฌ
Morto mai: ... read more
These new tracks and the remix are great, this repack is small but solid, also honorable mention for Luchè's verse in "XDVRMX" that goes insanely hard.
โโ ๐๐ณ๐ข๐ค๐ฌ ๐๐ข๐ต๐ช๐ฏ๐จ๐ด โโ
Ciny: ๐ณ๐ด
XDVRMX: ๐ด๐ฎ ----- [ FAV TRACK ]
Trap Kings: ๐ณ๐ฏ
Raw, sometimes unpolished and at the time (at least in Italy) even fresh, these are the three main adjectives that come up to my mind when I think about this album, an album that basically made trap popular in Italy, it has its flaws (mainly the fact that aged pretty badly) but instrumentals are good and his rapping is almost always great, this is iconic.
โโ ๐๐ณ๐ข๐ค๐ฌ ๐๐ข๐ต๐ช๐ฏ๐จ๐ด โโ
XDVR: ๐ณ๐ฑ
SG4M1: ๐ณ๐ฌ
Panette: ๐ณ๐ณ
No Champagne: ... read more
SHORT REVIEW:
Effortless and disappointing, it's just a playlist made to reach the top spots on charts, it's mediocre at best, I was trying to find more things to say about this album but it's so soulless that I even find hard trying to dissect and talk about pros and cons.
Bottiglie Privè: ๐ด๐ฌ ----- [ FAV TRACK ]
Abracadabra: ๐ฐ๐ฏ
Baby: ๐ญ๐ฎ ----- [ LEAST FAV TRACK ]
Macarena: ๐ณ๐ณ
Hollywood: ๐ฒ๐ต
Tik Tok: ๐ณ๐ด
Male: ๐ฑ๐ฌ
Giovani Re: ๐ฒ๐ฒ
Gelosi: ... read more
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Recent Review Comments
On 18K - IO
"@rgiosmin certo, infatti ho sbagliato io ad introdurre male l'argomento, ero un po' stanco e riscriverò la recensione ma di base è un pattern che ho notato in alcuni artisti rap italiani e non, il primo disco in major è sempre il più safe, dal secondo in poi si comincia ad andare via via sempre peggiorando, mi viene in mente banalmente kid yugi della "nuova" scena, ma ci sono tanti esempi anche in quella vecchia, tra cui anche sfera"
On 18K - IO
"@Fautore gengis khan era forte tho"
On 18K - IO
"@czr gne gne gne"
On 18K - IO
"@czr sì concordo, apprezzare questo album è chiaro segno di affiliazione al mossad"
On Baby Keem - Ca$ino
"@LAPIZZA io purtroppo ho smesso anche di ascoltarlo, è rimasto in rotazione molto poco sto disco ๐ฅ"
On nayt - io Individuo
"@Pajetta22 sì e purtroppo crede anche di star facendo una critica sociale arguta e inedita (la fa da 3 dischi almeno)"
On Michele Bravi - Prima o poi
"@KNIGHTSTATIK purtroppo si è fermato solo alla copertina"
On Slayyyter - OLD TECHNOLOGY
"anyway AI or not, it doesn't really matter, i don't really like slayyyter's affiliation with her in the slightest but she removed it from the track or stopped caring about her now, so it's fine."
On Slayyyter - OLD TECHNOLOGY
"@mymelohdy
yeah and azealia is a known liar, i have not made up this rumor, i listened to it myself since it leaked on telegram, this is a clip of the verse:
https://x.com/i/status/2026310394000658741
i also reversed searched it and found nothing so it's either real and scrapped because she trashtalked or AI which is unlikely since this version leaked before the release of the official one."
On Slayyyter - OLD TECHNOLOGY
"@mymelohdy idk if you're referring to that beef in 2019, but this was her in 2025:
https://x.com/PopBase/status/1900881259624006119
aside from this, the leaked version of this track contained a verse from azealia at the end where now there's just the instrumental, so yeah, they still collaborated, which is awful considering how trash azealia has been this year, from trump supporter to full on zionist and omotransphobic, there's that i guess."
On Baby Keem - Ca$ino
"@plaayer i really couldn't bother to go back to the track to see what he meant because i completely forgot where he said it, so i'll just assume you're right and i did misunderstand the bar and I'll delete that part from my review, thanks for the heads up"
On Kid Yugi - PUSH IT
"@slashed13 non c'erano già Lilith ed Eva nel disco prima? non so, Kid Yugi per me ha sempre giocato nello stesso campionato di rondo, artie, simba e compagnia cantante, sì okay di sinistra e leggermente sopra come scrittura, ma pur sempre lì, poi boh, sarò io tremendamente disilluso sul rap italiano"
On Slayyyter - DANCE... (Edit)
"@p4smin i just feel it's kinda useless, tracks on the album are not tied to each other so there was no need to make something like that, plus what makes it really pointless is the fact that it's weak as a build up, it's static, honestly under-produced and lasts for a minute which is way too much for what it is, the edited version works much better, "take my breath" by the weeknd for example has a much better build up and makes the song overall better."
On Paky - GLORIA
"@I_love_chickenw ci ho anche provato ma purtroppo non so se metterei qualche voto diverso da 0, trovo tutte le tracce insopportabili proprio da ascoltare"
On Emis Killa - MUSICA TRISTE
"@I_love_chickenw non gli si può dire che non è costante però"
On Alice Ai - d.a.t.a.d.e.a.t.h.
"@4inch yeah it's a nice project!
well, so she does indeed exist and it's not ai, that's good, thanks!"
On Tyler, The Creator - IGOR
"<3"
On Tyler, The Creator - IGOR
"@I_love_chickenw
best redemption arc ๐๐
ma a parte questo, son contento per te for real, poi quest'album è generazionale non stento a crederci"
On Annalisa - Maschio
"@I_love_chickenw reallll"
On Annalisa - Maschio
"ma è davvero così problematico? alla fine i ragazzi hanno il rap, dove l'oggettificazione della donna è una costante, che secondo me è anche peggio di dire che i maschi sono viscidi, ma in generale, io per esempio, da uomo non mi sento toccato da un testo come quello di "Maschio" perché non parla di me e non mi sento rappresentato da ciò che dice lei, non sono così e posso ascoltarmi il pezzo senza problemi, per altro essendo anche bisex per certi versi posso anche trovarlo relatable, per il resto l'ipocrisia è all'ordine del giorno per chiunque, soprattutto per gli artisti, anche Dua Lipa con Dababy o Tate McRae con Morgan Wallen, KATY PERRY CON DR. LUKE!!!
la chiave secondo me è non considerare affatto "Maschio" più di quello che è."
On Annalisa - Maschio
"@I_love_chickenw
onest non me ne ero manco reso conto, ho recensito questa traccia poco dopo l'uscita e sono un po' stupito che ci sia anche della polemica su questo pezzo, più che altro perché alla fine non vedo questa traccia chissà quanto scioccante, è una traccia normalissima il cui testo è leggermente provocatorio, ma è davvero così diverso da una traccia come "Manchild" di Sabrina Carpenter? Annalisa sta seguendo semplicemente un trend, come ha dimostrato di fare più volte anche prima, in questo caso è il trend del "diva pop" che va da diverso tempo anche appunto all'estero, dove si tende a scimmiottare i ragazzi e ad esaltare l'indipendenza femminile."
On Povia - Luca era gay
"@KNIGHTSTATIK precursor of picsart lookin ass covers"
On Povia - Luca era gay
"@I_love_chickenw honestly? i totally get it but i'm also bi so guess it isn't that much of a surprise lol"
On Justin Bieber - SWAG
"@hatemeorloveme drake album from 2022"
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