sometimes I thank god for making me a native arabic speaker if only so that I can appreciate fairuz wholly

he has the sort of sadness in his eyes you only see in eastern european gay porn

To be honest, this live album surpasses many revered studio albums for me. Every track is raw yet achingly tender.
Jeff Buckley was the master of reinvention when it comes to covers (do NOT get me started on Hallelujah or I Know It’s Over) and hearing him actively doing so while there’s a crowd of people engaging with his little riffs and jokes is something so, so special and can’t ever be replicated on a studio album.

pulp has always been the best of britpop (this is coming from someone whose favorite band is blur btw)

is the disco in the room with us?

the way the deluxe tracks sound like actual charli xcx compared to almost every single track on the standard album tells you why this is known as the album charli sold out for

quintessential arabic pop

pop bible for a reason

The issue with remix albums is that the genuine good tracks are always buried beneath mountains of lackluster remixes

an actual spiritual experience

ALBUM OF THE YEAR

my disappointment is immeasurable and my day is ruined
by FAR her worst work to date

didn't love this but countessimo is everything

close enough... welcome back, Fleetwood Mac

still taylor's best. will forever be her best, I fear.

Sabrina girl this isn't it

Vienna literally pried into my soul. no song will ever make me feel the things I felt hearing it the first time, things I still hear on every subsequent listen.

Will never understand how she left out The Moment I Knew but kept Stay Stay Stay...

A great album that could've been incredible if not for the track list order. 22 RIGHT AFTER All Too Well? WANEGBT following I Almost Do? The Last Time after Stay Stay Stay? seriously, Taylor??

the vault tracks (and especially Suburban Legends) are produced as if they're on midnights, not 1989. Taylor, I am BEGGING you let jack out of your basement.