we are so f***** back, wtf.
I didn't expect an Evanescence album to go so hard on Big 2026,
But despite not being groundbreaking or innovativein their style, it's a solid and nostalgic album with an impressive performance from Amy Lee, although I find the first half stronger than the second.
A strong and necessary statement of intent; sometimes I feel it could have gone a little deeper, but I still love the project.
lo disfruté bastante, nada increible, nada nuevo, solo disfrutable rap.
Violet's promising debut demonstrates great talent and a voice that transcends her father's surname, even without fully emancipating herself from his style.
A very interesting project outside my comfort zone, I enjoyed it a lot nonetheless and I'm interested in seeing more of them and their curious gimmick
I enjoyed the album quite a bit, but it's a step backwards in JPeg's discography.
Potencial absurdo, boms flows e uma lirica interessante.
Gostei muito, tem um toque especial que me deixou interessado e hipnotizados na (lamentavelmente) curta, mas prazerosa experiencia de escutar o projeto.
For now, one of my favorite projects of the year, I think it's a deep and intelligent look at society accompanied by lyrics and instrumentals that, besides being excellent, are very versatile.
Art is political, music is political, and I love people with the courage and talent to turn what many people think into art.
An unexpected crossover, even without the best writing, is super enjoyable and, like everything from Lafourcade, beautiful.
Solid and fun song, trying not to let it affect my score, I just want to highlight how terrible the music video is.
They manage to be more than just a gimmick, yes, they are bring back sounds from the 60s, but they are genuinely good and well-written songs beyond the particular sound of bands like the beach boys.
It sounds good, it's nice, but for some reason I don't love it, I guess it's just not my cup of tea.
I liked it, but I feel like i might should enjoyed it more.