GoodMomoring

Babydoll by Grace VanderWaal featuring Aliyah’s Interlude is unfortunately a track that falls short of expectations. While Grace's vocals are, as always, sweet and emotive, the song as a whole struggles to make a lasting impact. The production feels flat and fails to build much momentum, leaving the listener with a sense of disconnection throughout the track. The melody doesn't quite hit the mark, and the structure feels uneven, making the song hard to fully engage with.

The ... read more

Adela’s Machine Girl is a thrilling ride that highlights her exceptional production prowess while showcasing her knack for creating bold, genre-blending tracks. The production on this song is undeniably the star—pulsing beats, futuristic synths, and intricate layers create a dynamic atmosphere that pulls you in from the first note. It’s the kind of track that feels both modern and experimental, pushing boundaries while remaining accessible.

However, where Machine Girl falters ... read more

LISA's Alter Ego is an exciting and polished debut that highlights her versatility as both a performer and a creative force. As a fan of all the singles leading up to the album, it's clear that LISA was building toward something special. The album delivers on that promise with a range of moods, from upbeat anthems to more introspective moments.

Tracks like “Lifestyle”, “Chill”, “Dream”, and “Elastgirl” truly stand out as the ... read more

Tate McRae’s So Close to What is a confident step forward in her artistic evolution, blending emotional vulnerability with slick pop production. The album leans into both heartbreak anthems and high-energy tracks, solidifying her signature sound while experimenting with fresh sonic elements.

A notable addition to the album is Siren Sounds, a track that fits seamlessly within the record’s overarching themes of love, chaos, and self-discovery. While the song itself is well-produced ... read more