Jackcerveny

Penith only works inside the TV show. The second you separate the music from the scenes, it falls apart. As a soundtrack to “Dave,” it makes sense because you’re reacting to the character, the timing, the narrative. But as a standalone album? It’s genuinely bad. Not unpolished, just not enjoyable as actual music.

The weird thing is Lil Dicky can be funny, the show proves that. The show has great writing, clever set-ups, and real comedic energy behind the absurdity. The ... read more

This project is exactly what you think it is: Snoop Dogg being Snoop Dogg. It’s not trying to reinvent him, rebrand him, or push him forward in some new artistic direction. You throw it on because Snoop’s voice is permanently enjoyable no matter what he’s saying. It’s mostly forgettable, but it’s fun, and that’s really all it’s meant to be.

At this point in his career, Snoop isn’t chasing hits, arcs, or statements. He’s a legacy act ... read more

I respect Connor Price a lot. The way he built himself through social media is textbook modern independence. He proved exactly why artists don’t need labels anymore if they understand branding, audience targeting, and consistency. Him and Nic D are basically the blueprint for how to market yourself in 2025. And I don’t even mind that his music is clean, that actually works to his advantage. He’s someone you can play around kids without thinking twice, which is part of why his ... read more

This mixtape is Wynne doing exactly what she should be doing: rapping her ass off with no training wheels, no A&R breathing down her neck, and no watered-down pop packaging. It’s all ripped YouTube beats and industry classics she has no shot of clearing, which is exactly why it works, it’s not here to be playlist filler, it’s here to remind people she can flat-out rap better than most.

The only weak spot is the intro, and it’s not even bad, it’s just the ... read more