This album marks a significant departure from the sound explored in "First Impressions of Earth.
Starting with the production, "Angles" introduces a more collaborative approach, with each band member contributing to the songwriting. The result is a sonic landscape that feels like a mishmash of influences, sometimes working harmoniously and at other times clashing in a way that raises eyebrows.
The album kicks off with "Machu Picchu," a track that encapsulates the overall tone of "Angles." It's a blend of new wave, synth-pop, and the classic Strokes guitar-driven sound. Julian Casablancas' vocals continue to deliver that signature laid-back style, but the instrumental choices give the album a more polished, almost futuristic, vibe.
Best Tracks:
"Under Cover of Darkness" (92/100): A standout moment on the album, "Under Cover of Darkness" successfully marries The Strokes' classic guitar-centric sound with the newfound energy of "Angles." It's a return to form that resonates with fans who missed the raw and infectious energy of their earlier works.
"Machu Picchu" (88/100): Serving as the opening track, "Machu Picchu" establishes the album's sonic direction. The combination of upbeat rhythms, catchy guitar riffs, and Casablancas' distinctive vocals creates a dynamic and engaging listening experience. It's a bold introduction that sets the stage for the experimental journey that follows.
"Taken for a Fool" (85/100): This track stands out for its infectious hooks and energetic rhythm. The interplay between the guitars and Casablancas' vocals creates a sense of urgency that makes it a memorable addition to "Angles." It's a testament to the band's ability to craft pop-infused rock without losing their edge.
Worst Tracks:
"Games" (70/100): "Games" is a departure from the more guitar-driven tracks on the album, venturing into a synth-heavy territory. While the experimentation is commendable, the execution feels somewhat lackluster, making it one of the less captivating moments on "Angles."
"Gratisfaction" (75/100): While not a weak track, "Gratisfaction" feels like a nostalgic nod to '70s rock, which may not resonate with everyone. The throwback sound, while enjoyable, doesn't quite fit seamlessly into the overall flow of the album, making it a slightly disjointed experience.
"Angles" is undoubtedly a mixed bag. On one hand, the album showcases The Strokes' willingness to evolve and experiment with their sound. On the other, the diverse influences can lead to a lack of cohesion, leaving the listener wondering if the band's collaborative approach was more a source of strength or confusion.
"Angles" represents a transitional phase for The Strokes. The departure from a more cohesive sound is evident, and while there are moments of brilliance, the album struggles to find a unified identity. It's an admirable attempt to break away from the established formula, but the result is a mixed bag that may leave some fans longing for the straightforward allure of their earlier works.
| 1 | Machu Picchu / 88 |
| 2 | Under Cover of Darkness / 94 |
| 3 | Two Kinds of Happiness / 80 |
| 4 | You're So Right / 76 |
| 5 | Taken For a Fool / 85 |
| 6 | Games / 70 |
| 7 | Call Me Back / 78 |
| 8 | Gratisfaction / 75 |
| 9 | Metabolism / 82 |
| 10 | Life Is Simple In the Moonlight / 84 |