Heaven couldn’t wait for us.
Trolleycat’s activity over his time posting on the internet has been more than enigmatic, with distant drop times between his work. This is one of the few constants between all of his different accounts. But, there’s a few leads Trolley has let people onto about the nature of his work and self.
There’s a very clear influence of Devon Hendryx’s 2013 release, “THE GHOST~POP TAPE”, on this album (which I must say, I’m ... read more
I actually really like this album
it shares a commonality with a lot of sems good albums that his lesser good albums dont which is that every part sounded very handcrafted and that he hit the nail on its head on what he was trying to make
its very sludgy all the way thru, its sems single most depressive album imo (maybe also grave house), its great to fall asleep or work to, and while this album and rb1 are both very repetitive, on rb1 it sounds like sem accidentally made a very repetitive ... read more
ideally and maybe its even a requirement for the greatest albums of all time to make you feel an emotion so pungent that you have to take breaks from listening to the album unless you wanna hurt yourself
terrible, physical pain producing levels of boring. i would question the sanity of however put this out if it wasnt bull of heaven
1st single scared me but thankfully this sounds more like it
yes im getting experimental rap tickets
NO im going for matt proxy not jpeg




