Here is the link to it give it a listen https://archive.org/details/swans-brussels-3141997/Brussels+3_14_1997/01+Feel+Happiness+(Live+_+Brussels+3_14_1997).mp3 every song it takes off of swans are dead is better.
This album represents perhaps one of the most abysmal atrocities ever to assault my (presently hemorrhaging) auditory faculties. My analysis was conducted with meticulous care, entailing not one, but two complete listenings (with a third while penning this critique). With a duration of 23 minutes—slightly shorter than “The Glowing Man,” an unequivocal opus by the band Swans—and an inordinately extensive track list, it is unequivocally adept at inducing a profound measure ... read more
Despite this albums lengthy runtime it presents some very interesting concepts and executes them quite well. The first 3 tracks are practically flawless. The main issue of this album is the runtime, it is quite difficult to take in and understand an approximately 5 hour album in one listen. I have no real point to this review except to advise people to actually listen to the whole album.
Crash tense dummy is deffenetly a swans song. In all seriusness this record is beoyond underated.
Robin Gan was once hailed as one of the greats, his mastery in songwriting and technique likened to the likes of Kendrick Lamar, Kanye West, or even JPEGMAFIA. His beats drew comparisons to Swans, Godspeed You! Black Emperor, and King Crimson. And his lyricism stood on par with Sufjan Stevens, Black Country, New Road, and perhaps Radiohead. He used to be an experimental artist, pushing boundaries with revolutionary songwriting that offered a glimpse into his psyche while exploring his ... read more
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