Safecamper

Incredible flex of harmonic and melodic writing. The arrangements are so well thought out and are juxtaposed deliciously against the organized sonic chaos you find in the middle of ‘Holy, Holy’ or as ‘Blues’ progresses. The characters that Greep embodies are usually cringy, disgusting, inflated displays of male desire and self-inflicted pain. And he plays them with such conviction you can’t help but fall into the stories easily. Last thing I wanted to note is his ... read more