EKKSTACY's previous material has been bland, unoriginal and uninspired, reaching viral popularity by being entirely derivative and bouncing off 'sad boy' trends. This LP, however, displays a new side to the Canadian artist: a side which exhibits better instrumentation, less apathetic vocals, and wider subject material. As a self-titled record, it does indeed reveal the best of EKKSTACY, finally demonstrating how he can rise above low expectations