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The matter of awe & decay that The Caretaker presents in “Everywhere at the End of Time” is one that makes me hate it. The album, simply put, isn’t music. The album knows what it’s about, what the point is, and most importantly - it’s basic. No lyrics, straight six hours of classical 20s, 30s, and 40s galore to “dementia” abyss.
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Yes, I’m an actual socialist.
• Score System •
0: Borderline Not-Music
1: The Opposite of Ear Candy
2: Not Good in Any Form or Shape
3: Snorefest (or just really bad)
4: The Most Positive Shade of “Bad”
5: Middle-line Mediocre Music
6: Slightly Above Average
7: Interesting, but not Spectacular
8: Conceptually & Functionally Good
9: Ear Candy
10: Almost As Good As 2010 Danny Brown’s Teeth (Subpar Music)
If you’re from /mu/, then you ain’t gonna like my account.
• Score System •
0: Borderline Not-Music
1: The Opposite of Ear Candy
2: Not Good in Any Form or Shape
3: Snorefest (or just really bad)
4: The Most Positive Shade of “Bad”
5: Middle-line Mediocre Music
6: Slightly Above Average
7: Interesting, but not Spectacular
8: Conceptually & Functionally Good
9: Ear Candy
10: Almost As Good As 2010 Danny Brown’s Teeth (Subpar Music)
If you’re from /mu/, then you ain’t gonna like my account.
Rating Distribution
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Member since January 20, 2021