Como el anterior, un trabajo concebido únicamente con fines lucrativos y sin la menor aspiración artística.
El medio punto es gracias a Xokas, que aporta un estilo de rap dosmilero bastante competente.
After an amateur but groundbreaking debut, Miguel A. Ruiz brings us what may be the most polished work of his entire career. We enter a post-apocalyptic suite of nine movements, filled with coldness and Soviet demystification, with subtle melodic touches that occasionally sweeten the massacre. Without a doubt, we are faced with one of the most important and despair-ridden albums on a national scale, a cybernetic black hole for the rest of eternity.
After multiple works of unquestionable quality, Ainara LeGardon, under her own name, finally manages to shape the crowning achievement of her career, with the help of Xabier Erkizia (member of Billy Bao). For the first time, Ainara’s lyrics are in Spanish, making the listening experience even more personal and introspective, as she lays all her longings and concerns bare. This is one of the boldest and most uncompromising albums in recent times.
Al parecer los tracks 1, 2, 3 y 8 fueron grabados en directo. Exceptuando el fabuloso tema que da nombre al álbum, el resto no mantienen el listón.




