Woozy

This is a complete new direction for Mid-air Thief, focusing much more on the texturing, almost completely abandoning any form of common song structures and being a lot more ambiental in nature. I guess since Crumbling is my favorite album of all time, I could try comparing this two projects.
손을 모아 (Flood Format) feels like a rearrangement of everything that was used in Crumbling, using similar sound pallets and soundscapes, but resulting in something that sounds nothing alike. Both of ... read more

To say that this album sounds huge is an understatement. It feels larger than life itself, and it goes far beyond from being just a bunch of songs pieced together, it's a love letter to everything that is music.
No words can do justice but if I had to describe it, this album feels like the first person perspective of an onmipresent God, as he closely watches humanity build and destroy civilizations, but never interfering.
It's beautiful and it takes all the time necessary to do all it's set ... read more

Ahhhh... I agree every song on here is good independantly. A beautiful mix of dense pianos, pretty guitar melodies and lovely vocal preformances. But together they create an album that's boring, repetitive and directionless. It feels like every single song was meant to fulfill the same pourpose, and there's only so much psychodelic dream pop I can listen without getting sick of it.
It does manage to find a sound that's conforting, inmersive and warm, like a cup of hot chocolate. After a few ... read more

In "So" there's no start or finish, there's no structure or order, but instead it's the perfect combination of melody and chaos that embodies the melancholic, calmness and intimate essence of a still life.
Being the collaborative project between the electronic producer Markus Popp (otherwise known as Oval or Microstoria) and the Japanese singer Eriko Toyoda, "So" plays around both's conception of music, where Eriko's sweetheart voice and the mind-numbing noise play a ... read more