Disturbed by the intervention in the themes, Censorship removed the album from the market just a few days after its release, preventing people from accessing one of the best albums in Portuguese music. This album had the ability to compete in terms of boldness, quality, and innovation with what was being produced abroad at the time. From the folk influences in "João Nada" and the rendition of Adriano Correia de Oliveira's "Trovas do Vento que Passa," to the soulful ... read more
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