Einzelgänger

Giorgio Moroder's foray into electronic music had to start somewhere and that's precisely how you can sum this up, a beginning. It's mainly noise and is easy to label as "experimental," but honestly these songs strike me as rough drafts or frameworks for what could have been fully realized numbers. "Untergang" and "Liebes-Arie" show the most potential for the future I'd say, but the rest is basically Moroder messing around with sound effects.