Déjà Vu

Critic Score
Based on 28 reviews
2015 Ratings: #1050 / 1056
User Score
Based on 98 ratings
2015 Ratings: #1,056
June 16, 2015 / Release Date
LP / Format
RCA / Label
Full Credits
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Critic Reviews

70
Billboard

Moroder is perfectly capable of crafting delicious dance beats sans tricks or gimmicks. Deja-Vu is at its best when it sounds like a victory lap, not a labored attempt to keep up.

67
A.V. Club

That contemporary approach to Déjà Vu’s sound keeps the album from being as fun as it should be.

65
Under the Radar
Overall ... the record's a welcome return from one of dance music's innovators.
60
FLOOD Magazine
The Bee Gees made disco; Moroder made dee-sko danse muziq.
60
The Guardian

For every decent chorus, there is a moment where Moroder falls victim to his own vast influence, and the likes of "Don’t Let Go" and "Tempted" feel like generic chart pop you’ve heard before – probably not the kind of deja vu he was after.

60
Rolling Stone
Disco's Wizard of Oz shows he's still got some of his old magic.
60
Exclaim!
The huge and busy production makes the album feel less effortless than his early work, and more calculated.
60
musicOMH

Where Moroder’s studio magic, revealed in his productions of Summer, Blondie and David Bowie, was notable for its imaginative and forward thinking rhythms and use of new electronic studio technology, he sounds here like a parody, an artist falling under his own influence.

60
SPIN

Tacking Big Pop Names onto every song for the sake of it ... just makes Déjà Vu sound disjointed and more like a Pure Disco compilation than a cohesive album.

60
AllMusic

Despite its unevenness, at its best Déjà-Vu is an entertaining return from a dance music legend looking to translate his style into something that isn't overly familiar.

60
PopMatters

Regardless of the overall quality, it’s nearly impossible to resist the urge to dance. And in that, Déjà Vu succeeds.

50
The Line of Best Fit

After a few repeated plays you may find the odd track or two that stand out from the rest, but there’s little you’ll love to love here.

50
Slant Magazine

The music may bear his knob-twiddler-behind-the-curtain imprimatur, but the pose he strikes rips a page right out of the Calvin Harris/David Guetta/Steve Aoki playbook.

40
NOW Magazine

Moroder has traded the slow-burning sublimities in his early work with Donna Summer for big, instantly gratifying pop to greater effect in the past ... but here, the aggressive push into overblown choruses drowns the warmth and personality of his production work.

40
Spectrum Culture

Déjà Vu may well remind you of something you’ve heard before, but worse. Better just forget it.

40
The Observer

Déjà Vu could have been Moroder’s own Random Access Memories, which had guest vocalists all pulling together to create a masterpiece. Instead, it’s just a bit random.

40
The Telegraph

The Italian producer attempts an EDM makeover ... but the result is weak and overfamiliar.

40
The Independent
A comeback album that seems bent on proving Moroder can keep up with his protégés.
40
God Is in the TV
It’s probably wise to forget this release and time travel to his old catalogue, where he abode by his own set of rules.
40
Clash

There's simply not enough of Moroder: he feels surprisingly absent, like he has almost nothing to prove. And, while that is true to a certain extent, a comeback for an artist of this stature deserves something more than what's on offer here.

36
Resident Advisor
The album is an undercooked attempt at pop and EDM crossover that feels like the result of one too many major label board meetings. Moroder's name feels more like a brand sponsorship than anything else.
35
The 405

Déjà Vu is an album that never needed to happen and never should have happened.

33
Consequence of Sound

Déjà Vu sounds like the radio or the first Spotify playlist that pops up on your home screen at 9 p.m. on a Saturday.

25
Pitchfork

Déjà Vu boasts a pantheon of pop goddesses, but Moroder only gives them bland boutique hotel electronic music to work with.

20
The Arts Desk
Anything vaguely interesting would have sufficed. It’s just a shame that a master’s return is attached to one of the year’s most rancid collections of brain-dead pap.
10
Crack Magazine

This album a sad coda to an otherwise impressive career. But while Moroder is hardly blameless, it’s clear he’s just tried to recreate what’s most popular right now: EDM.

jatedisse
39

My name is Giovanni Giorgio but everybody calls me David Guetta?

lucasmatheus_95
85

Hináriooo, passo mal com o mal gosto do povo avermelhando, mico.

tha138
37

While he's trying to catch up with the latest, dancing trends, it seems that he has taken the wrong turn.

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