Moroder is perfectly capable of crafting delicious dance beats sans tricks or gimmicks. Deja-Vu is at its best when it sounds like a victory lap, not a labored attempt to keep up.
That contemporary approach to Déjà Vu’s sound keeps the album from being as fun as it should be.
For every decent chorus, there is a moment where Moroder falls victim to his own vast influence, and the likes of "Don’t Let Go" and "Tempted" feel like generic chart pop you’ve heard before – probably not the kind of deja vu he was after.
Where Moroder’s studio magic, revealed in his productions of Summer, Blondie and David Bowie, was notable for its imaginative and forward thinking rhythms and use of new electronic studio technology, he sounds here like a parody, an artist falling under his own influence.
Tacking Big Pop Names onto every song for the sake of it ... just makes Déjà Vu sound disjointed and more like a Pure Disco compilation than a cohesive album.
Despite its unevenness, at its best Déjà-Vu is an entertaining return from a dance music legend looking to translate his style into something that isn't overly familiar.
Regardless of the overall quality, it’s nearly impossible to resist the urge to dance. And in that, Déjà Vu succeeds.
After a few repeated plays you may find the odd track or two that stand out from the rest, but there’s little you’ll love to love here.
The music may bear his knob-twiddler-behind-the-curtain imprimatur, but the pose he strikes rips a page right out of the Calvin Harris/David Guetta/Steve Aoki playbook.
Moroder has traded the slow-burning sublimities in his early work with Donna Summer for big, instantly gratifying pop to greater effect in the past ... but here, the aggressive push into overblown choruses drowns the warmth and personality of his production work.
Déjà Vu may well remind you of something you’ve heard before, but worse. Better just forget it.
Déjà Vu could have been Moroder’s own Random Access Memories, which had guest vocalists all pulling together to create a masterpiece. Instead, it’s just a bit random.
The Italian producer attempts an EDM makeover ... but the result is weak and overfamiliar.
There's simply not enough of Moroder: he feels surprisingly absent, like he has almost nothing to prove. And, while that is true to a certain extent, a comeback for an artist of this stature deserves something more than what's on offer here.
Déjà Vu is an album that never needed to happen and never should have happened.
Déjà Vu sounds like the radio or the first Spotify playlist that pops up on your home screen at 9 p.m. on a Saturday.
Déjà Vu boasts a pantheon of pop goddesses, but Moroder only gives them bland boutique hotel electronic music to work with.
This album a sad coda to an otherwise impressive career. But while Moroder is hardly blameless, it’s clear he’s just tried to recreate what’s most popular right now: EDM.
While he's trying to catch up with the latest, dancing trends, it seems that he has taken the wrong turn.
| 1 | 4 U with Love 2:36 | 30 |
| 2 | Déjà Vu 3:20 feat. Sia | 59 |
| 3 | Diamonds 3:31 feat. Charli xcx | 87 |
| 4 | Don't Let Go 4:29 feat. Mikky Ekko | 29 |
| 5 | Right Here, Right Now 3:30 feat. Kylie Minogue | 71 |
| 6 | Tempted 3:21 feat. Matthew Koma | 30 |
| 7 | 74 Is the New 24 4:02 | 31 |
| 8 | Tom's Diner 3:32 feat. Britney Spears | 76 |
| 9 | Wildstar 3:47 feat. Foxes | 55 |
| 10 | Back and Forth 3:04 feat. Kelis | 33 |
| 11 | I Do This for You 3:23 feat. Marlene | 35 |
| 12 | La Disco 3:33 | 33 |