Being fired from all sides, in this dark, drum n bass environment, there will be no one left alive to appreciate its effects.
Finally getting back to MachineCode, the brainchild of Tim Elliot and Dean Rodell, I am happy to report that the duo aimed for a different sound here than either of them were toying with in their solo works, trying to be a bit more atmospheric with their production: whether it be removing the drop in a cut all together, giving tracks a astrong atmoshperic flare, or utilizing phasing synths alongside risers.
That's not to say you can't hear a few moments of the CV-isms, from the Stay on This ... read more