A frustrating listening experience for those who regard Stringfellow as one of the most interesting singer-songwriters around, as he tries to dip his toes into various genres and not always successfully on this his third solo album. The grandeur he attempts to bring with his piano pieces backed by a full orchestra can sound at worst like a poor attempt At musical theatre composition, but at their best can provide sweeping soundscapes with great aplomb. The standout tracks include Seventies ... read more