Cameron Sinclair Harris
Much like the state of the country they wax lyrical about, Sleaford Mods are stuck in a rut.
4mo
A debut that presents its protagonists as a gang everyone’s going to want to join.
10mo
A wonderfully crafted piece of work that cements the band’s staying power.
10mo
‘Self Titled’ is a glorious piece of work, easily Tempest’s best and most unforgettable work to date.
10mo
The sound of one of rock’s most enduring survivors exhaling and having fun.
1y
WE is an album full of love. It’s full of heart, passion and soul. At just 40 minutes, it’s their most concise album, but not a second has been wasted.
4y
Yard Act make their opening statement with aplomb on The Overload. An album as silly as it is eclectic, gleefully cheeky as it is fiercely intelligent.
4y
It’s a theatrical, vulnerable album that may not exactly be easy-listening, but one that is simply an experience. One of 2021’s most unexpected delights, that’s for sure.
4y
Night Network begins with The Cribs gently waving “goodbye” to their year of turmoil, and ends with victorious cries of “good riddance”, that turmoil now merely a passing memory. And with the album falling on a month where the world has stepped up in yelling “good riddance” to bad rubbish, there couldn’t be a more fitting soundtrack. Welcome back lads. You may have saved 2020.
5y
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