Experimental Rap highlights the brilliant range of Peggy’s production and the non-existent range of his vocal performances.

A trance-like experience.

Already established as a gifted producer, Gud (Rooster) proves he's the full package on Rooster Slipped with droning vocals and beats, alongside a pen he treats closer to a confessional booth.

Emotions pairs mediocre rage cuts with melodic offerings that, while decent, grow repetitive over the course of its hour-long runtime.

Lancey Foux is back and angrier than ever.

My Ghosts Go Ghost is as interesting as it is sombre.

Weekend Rockstar is equal parts dated and uninteresting.

For a bulk of its runtime, B4EM is grating to the point of being unlistenable.

Fakemink isn’t particularly likeable, but the music speaks for itself. This EP is deceptively addicting.

2005 makes it increasingly clear that when Ian ventures a step outside of his lane, he has zero redeeming qualities.

Untiljapan values artistry, a quality rarely found in today’s rap landscape.

Bloated—what else did you expect from a thirty-track album? Mixing is inconsistent, and despite a number of impressive tracks, MUSIC is overall underwhelming given the wait.

For all the hype around Nine Vicious, this debut album is mind-bogglingly derivative.

Shockingly consistent at twenty-four tracks, Iyowa’s latest is the best Vocaloid release since 2022’s WEATHER STATION.

Yhap gets worse with every release.

Not what you'd expect based off the cover—surprisingly good.

The more I listen to this album, the more I'm obsessed.

Kikuo at his best; creative, off-kilter, and hypnotizing.

Strong performances from Lancey with mostly repetitive production.

Generic rage and a significant downgrade from DFTK.