yknow he’s kinda spitting

when he’s

saying words

Quite good .. Not much else to say

well i’ll be damned he did a different subgenre of house

fuck you this lead is great

There’s so much to analyze here—the juxtaposition of a 4/4 melody on the 6/8 instrumental with the tritone in the middle of each verse signifying something off about the line between AI and reality, the line “How do I know that the sky’s really sunny?” seemingly standalone and yet encompassing the entire theme of the song, the chords “hopping” up and down octaves in the bridge like a rabbit. UGH ITS SO COOL I LOVE IT

im not sure i Understand the song hold on

im moving…

It’s really a constant cycle between YAY LETS PARTYYY and kms

Wayyy too short for its own good; there are two SOTY contenders here.

IT WAS SUPPOSED TO BE A TRILOGY NOT A FRANCHISE

Though there are a couple great tracks (and a batshit insane snare), this leaves a lot to be desired.

Pretty much just all the songs. I like them.

I can’t help but think social media made this more rushed than it had to be.

Definitely the better of today’s bass house releases.

A fun, concise trap record that blurs the line between both sides of the term. Some songs are weird EDM tunes, and others are full-blown rap songs. And while the last third gets a little messy, it’s still an array that’s a blast to listen to.

Sometimes critics don’t just have “wrong opinions”…sometimes they might just be wrong

THE best single

Odetari takes the viral hook of the original song and lengthens it. What comes out is an atmospheric tune that I think will appease the many people who saw the viral clip but didn’t enjoy the rest of the song.

i can’t tell if this cover is ai or just ugly

oh ky god