ALBUM OF THE YEAR

LESBIAN GAY ALERT

It is flamboyantly nostalgic and unrepentantly joyous, full of maximalist synth leads that glimmer, and tender-hearted vocal melodies that vibrate with the youthful abandon of songs overheard in skate parks.

The Queen of Hyperpop provides us with an album filled with thought-provoking lyricism hidden in the depths of infectious club beats. It's a full throttle dance party that rises from the ashes of pop expectations.

BRAT reveals to be the most aggressive and confrontational yet most vulnerable album in her discography so far. The production is mainly club-centered evoking and channeling the illegal London rave scene through electropop, EDM, bubblegum bass, electro house, dance-pop, electroclash. ... read more

Hands down the BEST K-POP ALBUM RELEASED THIS YEAR (so far). A culmination of the members' musical growth - packaged as music from Greek goddesses landing on the moon.

never imagined we can shake ass in a dystopian future

K-Pop's premier cybercore futurists channels electropop, synthwave, hyperpop, hip-hop, and pop-punk for their first album set in a dystopian future.

K-Pop's cyberpunk princesses return with an eclectic fusion of electropop, French house, midtempo bass, and synthwave for a hyperstellar banger.

The HMHAS fan fave track that shapeshifts from a Laufey-esque Jazz solo to a full house Charli-esque EDM now has an extended hyperpop club banger version due to overwhelming demand.

The alt-pop phenom’s third album, released with no advance singles or videos, strikes a melancholy chord while fleshing out her sound with strings, mid-song switch-ups, and vocals that can rise to a scream. The album largely returns to the dark, menacing, sometimes theatrical palette of her record-breaking debut: murky beats, earworm melodies, and ominous, whispered vocals.

Simultaneously, it is the most unorthodox and delicate thing Billie has made so far — a bold strike yet ... read more