Holy f*ck, does this go hard. The lyrical content is sharp and filled with wittiness, the deliveries are well-paced and I cannot praise that grimy, obscure instrumental enough. Both Johnny Venus and JID are extremely solid on this track. Also, that Ant Clemons outro was otherworldly and praiseworthy. Doctor Dot is nice as well, although I am still getting used to that transition between his verse and Ant’s outro, but still, an impressive joint overall.

Quite excited for the upcoming ... read more

[Chorus]
Fah-fah-fah, fah-fah-fah
Hooligans, they on the way
Fah-fah-fah, fah-fah-fah
Had to influence the wave
Fah-fah-fah, fah-fah-fah
Hop in this shit, go to space
Fah-fah-fah, fah-fah
Drive to the crib on the lakes


Keem definitely has a great ear for beats and production. There’s not much to say about these two songs. The verses on ‘hooligan’ are just fine, and the instrumental is quite nice as well; ‘sons & critics freestyle, though features sub-par lyricism, ... read more

MY WHIP COLOR LOOK LIKE RIHANNAAAAAAA


At the time of this album’s release, Freddie had already touched the sky with what is considered to be one of the greatest gangsta rap albums to ever be created. Alongside legendary producer Madlib, Freddie served us with some vintage, old-school, immersive songs that depicted scenes of violence, crime, and drug use, being a reflection of the artist’s roots.

With ‘Shadow of a Doubt’, Freddie approaches these topics in a more ... read more

SHINJI, GET IN THE FUCKING ROBOT


Jokes aside, I honestly think that one of the main reasons why Evangelion is considered among the greatest pieces of audiovisual art is because of the way its Soundtrack is able to reinforce certain emotions and ideas that the series portrays, enhancing the quality of the overall product, being this song the culmination of this symbiosis between mesmerising visuals and hard-hitting, emotional melodies. The fact that this song holds such special value in my ... read more