火速reissue

Jackson did a lot of imitation of Kendrick Duckworth in his <DAMN> , the accent and pronounciation , with the soulful production from Dem Jointz , heavy drums and heavy bass . the several collaborative albums Dem Jointz finished with K.A.A.N contained some similar beats to this song . After all Jackson really raising the bar for his upcoming project . And I hope this one could be the just 'OKAY' one interlude-like song in this album

‘Truman’ = 70

comparing to her famous <The Turning Wheel> , had a lot of improvment in instrumental , but the songwriting in this album is a torturing boredom

‘BAMBOLA’ is obviously one of those influenced by the Skrillex&Fred Again&Flowdan paradigm HEAR-THE-RUMBLE 'Rumble' . I have heard many these two three years , but it still was the most impressive one to me in this project

talking is cheap ... pay more efforts to arrangement please

same production crew , might be offensive but this is better-version-IVE (and we only talk about music here , there is nothing faulty about any of the girls)

even the loudness between songs was not properly balanced .

Sakura Nagashi = 90

weak drum pattern . Lexie should probably do some reference of Yaeji's latest releases , if she had some trouble about where she was going

'As the World Caves In' is one of the deepest engraved voice-memo in my head

the title 'KNOW ABOUT ME' has the heaviest usage of wobble bass in a song I have ever heard , and most songs in this EP project have a RAGE-like listening : the sound-design is a little bit overwhelming , but the structure of the song is highly repetitive , which lead to a even much-more-tiring listening . The next step for NMIXX , to my point of view , is to make their songs more progressive and development-ive . For I can bearly finish one song , but I can re-listen to a song's ... read more

the INTROs and TEASERs of LE SSERAFIM are always among the most avant-garde in K-Idol Industry , but they never dare to keep those in their performanc-ial songs ... We will see how long the production crew can keep this going .
TRACK. 5 was almost it ...

spoiled drum pattern

creative transcription , just not fulfulling till the end

don't you hang out with those big-name producers , that's what coming at you ...

this could absolutely have been an above average project , as those banging pre-releases , and the musicians collaborated . But the whole outcoming is obviously dragging the good parts down , so overall it still cannot be considered good enough

the production crew for NMIXX has obviously learnt from their last failure 'Run For Roses' . That song was also driven by instrumental melodic lines , with some diminished-trait notes and chords . But the problem was that the arrangement for 'Roses' was too simple , simple enough to be boring . This time the producers redeemed themselves well , adding some drum breaks fill the flavor . There is still room to improve , show me the whole album then

worst ... most songs in this album are almost simple enough to be amateurish , yet the melodies not catchy . 'BB88' is the only average production of Khalil Fong-can-make song of the album

The earliest memory of millennium mandarin R&B to both Chinese and non-Chinese speaker , the most HIT album of Khalil Fong , almost every single song in this album are frequently covered nowadays , a paradigm of Mandarin R&B . And it was released in 2007 , the same decade after D'Angelo <Voodoo>(2000) , <The Miseducation of Lauryn Hill>(1998) , Erykah Badu <New Amerykah Series>(2008-2009) , Babyface <Grown & Sexy>(2005) . Like you never thought clearly ... read more

a cover-compilation of Khalil Fong , in case most people not knowing : the famous D'Angelo 'Feel Like Makin Love' was also a cover , which was released in another demo- version earlier in his cover-compilation <Interpretation:Remakes> in 2008 . Cover-ing is a good way to introduce classic , learnable pieces by musicians , to a broaden audience .