Mariah Carey - The Emancipation of Mimi
97

πŸ‡ΊπŸ‡Έ: It was impossible, but even if Mariah hadn’t achieved success with this album, she would have already been immensely successful in delivering such a high-quality record after a very difficult period. Skipping a track? No way. Every dose of vocals, lyrics, and melody is carefully crafted so that the songs, already excellent from the start, build into grand climaxes without ever becoming tiresome.

πŸ‡§πŸ‡·: Era impossível, mas mesmo que Mariah não tivesse ... read more

Leona Lewis - Spirit
77

πŸ‡ΊπŸ‡Έ: Leona’s voice is so powerful that it carries the debut on its own. Maybe it’s just my personal bias against some late 2000s sounds, but at times, the production feels weaker and more generic. She undeniably elevates everything with her vocals.

πŸ‡§πŸ‡·: A voz de Leona é tão poderosa que carrega o Debut sozinha. Talvez seja uma implicância minha com alguns sons do fim dos anos 2000, mas as vezes, a produção dos fraca e bem genérica. ... read more

USHER - Confessions
75

πŸ‡ΊπŸ‡Έ: Usher pretty much crafted the definitive sound of the mid-2000s with this album—visually, sonically, and lyrically. Its impact is indescribable, but it does go overboard in repeating certain themes, using some confusing melodies, and being excessively long.

πŸ‡§πŸ‡·: Usher meio que criou o som definitivo do meio dos anos 2000 com esse disco. Imageticamente, sonicamente, liricamente... O impacto do álbum é indescritível, mas ele exagera em repetir alguns ... read more

Ariana Grande - Sweetener
73

πŸ‡ΊπŸ‡Έ: Ariana doesn’t blindly smash it with this album, but she manages to keep it sufficiently enjoyable to listen to. It’s a bit long and lacks major standout moments aside from her vocals, but it works as a solid, momentary pop album. A good discography doesn’t need every album to be groundbreaking.p

πŸ‡§πŸ‡·: Ariana não arrasa cegamente com esse album, mas ela consegue manter ele suficientemente prazeroso em ouvir. Um pouco longo, e sem grandes momentos de ... read more

72

πŸ‡ΊπŸ‡Έ: Doja came in strong at the start of the decade, and she maintained that with this album. There are highs, some lows, and mostly a moderately satisfying middle ground. At times, the production feels tiresome, but when she goes full pop, she stands out like no one else.

πŸ‡§πŸ‡·: Doja chegou muito forte já no início da década e ela manteve isso com esse disco. Tem pontos altos, alguns baixo e a maioria medianamente satisfatória. Algumas vezes a ... read more

Sandy & Junior - As Quatro Estações
77

πŸ‡ΊπŸ‡Έ: I needed to start bringing Brazilian pop into the mix, and I’m beginning with the first album I ever played on repeat. It’s not perfect—some lyrics are cheesy—but it makes up for it with melody, production, and, most importantly, the harmony between Sandy & Junior’s voices. No bias here; they have one of the strongest pop albums of 1999.

πŸ‡§πŸ‡·: Eu precisava começar a trazer o Pop brasileiro aqui, e começo com o primeiro álbum ... read more

Christina Aguilera - Mi Reflejo
64

πŸ‡ΊπŸ‡Έ: Christina carries this one purely through some vocals, though nothing too bold—just interestingly used. The album could have gone fully Latin pop but had to rely on Spanish versions of Debut hits. Weak, rushed, but still with some quality.

πŸ‡§πŸ‡·: Christina carrega esse aqui puramente por alguns vocais, mas nada muito ousado, apenas interessantemente usado. O álbum podia ter ido completamente pop latino mas precisou se apoiar em versões espanhóis dos ... read more

Laura Pausini - Laura
66

πŸ‡ΊπŸ‡Έ: Laura's voice is the standout element of the album, but even that suffers slightly due to some choices. It works within its context but lacks the strength to hold impact beyond the moment of maintaining the artist's "promotion."

πŸ‡§πŸ‡·: A voz de Laura é o que chama atenção no disco, mas até mesmo isso sofre um pouco com algumas escolhas. É um disco que funciona dentro do seu contexto mas sem muita força fora do momento ... read more

Adele - 21
96

πŸ‡ΊπŸ‡Έ: Adele's impact with this album goes beyond the commercial force she ignited at a time when people barely bought physical records anymore. It's also about instrumentation, a "raw" voice—at least as much as possible in Pop—and lyrics that are somewhat relatable but still abstract.

πŸ‡§πŸ‡·: O impacto da Adele com esse disco vai além da força comercial que ela despertou numa época em que pessoas nem compravam mais discos ... read more

Camila Cabello - Camila
59

πŸ‡ΊπŸ‡Έ: There are two enjoyable tracks on the album, while the rest is quite questionable. Nothing terrible, but nothing particularly good either. In the end, Camila's debut ends up being rather monotonous and uninteresting, despite having the potential to make a big impact.

πŸ‡§πŸ‡·: Tem duas faixas prazerosas no disco, e o resto bastante questionável. Nada ruim, mas também nada meramente bom. No fim, o debut da Camila acaba se marcando por ser bastante monótono e ... read more

Madonna - Rebel Heart
79

πŸ‡ΊπŸ‡Έ: It’s the perfect fusion of Madonna’s creative brilliance with the modern sound of that era. It may seem dated, but in reality, it’s a snapshot of the moment—just as she successfully captured the essence of the '80s and '90s. This is exactly the kind of record one would expect from someone wearing the crown of the Queen of Pop.

πŸ‡§πŸ‡·: É a fusão perfeita da qualidade criativa de Madonna com o som moderno daquela época. Ele pode ... read more

Katy Perry - Witness
64

πŸ‡ΊπŸ‡Έ: Katy’s whole idea of "Purposeful Pop" is a NO—it works against what pop can achieve as social critique and ends up feeling pretentious. The album reflects that: it’s dragged out and long, missing the fun captured in the lead single, which actually manages to be both superficial and critical at the same time. A good concept with poor execution…

πŸ‡§πŸ‡·: A ideia toda de Katy de "Pop Propósito" é um NÃO - é anti ... read more

Rihanna - Good Girl Gone Bad
81

πŸ‡ΊπŸ‡Έ: The making of an icon. Rihanna was born to be this powerhouse popstar and hitmaker, and this status fits her perfectly, replacing the "exotic" artist image from her previous albums. The records hits as much as it misses in certain moments, but there's no denying the immense power of the tracks where it gets things right.

πŸ‡§πŸ‡·: A criação de um ícone. Rihanna nasceu para ser essa gigante popstar Hitmaker, e esse status vai como uma luva nela no ... read more

Alessia Cara - Know-It-All
67

πŸ‡ΊπŸ‡Έ: It's a nice simple Debut, especially considering her age at the time. It's slightly pretentious, but most music from that period is as well. It's worth noting that much of the album's strength comes from Alessia's vocal performance.

πŸ‡§πŸ‡·: É um bom e simples Debut, principalmente considerando a idade dela nesse. É levemente pretensioso, mas a maior parte da música desse período também é. Vale dizer que muito do que ... read more

ROSÉ - rosie
60

πŸ‡ΊπŸ‡Έ: A MASSIVE hit track, but the rest do fell flat. Rosé repeats what we already know and heard, mixing some recent and some dated elements in a very safe way—minimizing the risk of failure but also limiting the chance to truly shine.

πŸ‡§πŸ‡·: Um IMENSO hit, mas o resto não surte o mesmo efeito. Rosé repete o que já conhecemos e ouvimos, algumas coisas recentes e algumas datadas, de uma forma bem segura - sem muito risco para a falha mas sem muita ... read more

Christina Aguilera - Bionic
78

πŸ‡ΊπŸ‡Έ: I'm on the side that believes Christina was ahead of her time with this album, but without the usual exaggeration that comes with such claims. It was underrated, but even while acknowledging its strengths, it doesn't magically become a masterpiece. It has quite a few inconsistencies and a tracklist that feels conflicted in its purpose.

πŸ‡§πŸ‡·: Estou no time que Christina estava a frente do seu tempo com esse disco mas sem o exagero que vem junto. Ele foi desmerecido, mas ... read more

Tate McRae - So Close To What
62

πŸ‡ΊπŸ‡Έ: It's clear that Tate is an artist driven by personal lyrics and vocal style, but she's going the sexy pop girl route—something she executes well but without the necessary mastery. Everything feels a bit confusing, making it hard to distinguish where the artist ends and the persona begins. Is she being pushed? Anyway, it's a better album than the previous one.

πŸ‡§πŸ‡·: É claro que Tate é uma artista de letras pessoais e estilística vocal, e ... read more

Little Mix - Get Weird
78

πŸ‡ΊπŸ‡Έ: A great example of a girl band with personality and a unique style. Once again, the UK takes the lead with a powerhouse act like Little Mix, who, in this third album, manage to maintain the maturity of the previous one while keeping the fun pop energy that defines their signature blend

πŸ‡§πŸ‡·: Ótimo exemplo de girlband com personalidade e um estilo próprio. Mais uma vez o UK dispara na frente tendo um ato de peso como Little Mix, que nesse terceiro álbum ... read more

Spice Girls - Spice
90

πŸ‡ΊπŸ‡Έ: This is how you make an excellent Debut! The chaotic mix of the Spice Girls' huge personalities turns this patchwork into something adorably Pop. While clearly commercial, it still stood out from what was on the radio at the time. A distinct, bold sound—yet without a hint of pretentiousness.

πŸ‡§πŸ‡·: É assim que se faz um Debut excelente! A bagunça que é as enormes personalidades de cada Spice fazem essa colcha de retalhos ficar adoravelmente Pop, e ... read more

One Direction - Midnight Memories
75

πŸ‡ΊπŸ‡Έ: They finally directioned towards a predominantly Pop Rock sound, and it's clear how much they shine here. 1D finally sheds the weight of being a "manufactured pop boyband" and embraces being a "group of guys making their own sound." The album has great songs and some juvenile moments—which makes sense for a group that, at the time, was barely 21.

πŸ‡§πŸ‡·: Eles finalmente se "direcionaram" para um som majoritariamente Pop Rock e é claro ... read more

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Recent Review Comments
On Demi Lovato - Unbroken
"@andrebtostes na verdade ela é conflitante, eu não gosto muito do estilo de Produção e da mixagem nela. Acho que o fato dela estar lá embaixo no album e até chegar nela eu já estar cansado, acaba contribuindo"
On Harry Styles - Kiss All The Time. Disco, Occasionally.
"@MusicReview39 eu sinto que as pessoas exigem um algum 80+ e quando não entregam transformam numa nota 40 quando é um álbum "apenas bom". E tá tudo bem ser "apenas bom"."
On BLACKPINK - DEADLINE
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On fleabag_fideo's review of KATSEYE - Internet Girl
"OH MY GOD! YEEEES! It is bad, but sooooo tasty. And so Pop. Let me just have fun, pleeeeeease"
On Starzeinha's review of Taylor Swift - ME!
"@Starzeinha eu fui por aí também, mas só foi caindo kkkk"
On Starzeinha's review of Taylor Swift - ME!
"Não acho um zero, mas aprovo todas as notas baixas dessa kkkk"
On Various Artists - Batman Forever
"@BruJu I would agree, I tend to be a little more harsh on Soundtracks overall."
On Joca's review of Madonna - Ray of Light
"Eu diria que não é a melhor porta de entrada para Madonna. Sugeriria o Like a Prayer, True Blue, Bedtime Stories ou Confessions como primeiro disco para ouvir. Acho que o ROL faz mais sentido dentro da discografia do que isolado (e também com o contexto do eletrônico da época)."
On Alessia Cara - Love & Hyperbole
"@chaz right? I would say even the mixing in her voice feels 2010 but not as stylistic choice and more as a lack of evolution"
On Anitta - Anitta
"@Kauzoness quando eu revisar o ano de 2013 ele deve subir mais, mas eu acho o Bang ainda o melhor dela, e prefiro o RP ao debut"
On Michael Jackson - Bad
"@rcwyou o OLD ♥️"
On Demi Lovato - Here We Go Again
"@andrebtostes obrigado por curtir minhas análises ♥️ Cara pior que eu até gosto dela, só acho que ela é meio "o mínimo que se esperava" sabe? O meu problema com o HWGA está mais nas escolhas e talvez no modo apressado que decidiram fechar o álbum para lançar. Ele talvez precisava de alguns meses a mais para ter coisas mais interessantes na produção em si!"
On LISA - Alter Ego
"@SYNTHZ_Z acho que o segundo álbum dela, quando vier, vai consertar isso porque já fica mais claro o que funciona ou não com ela"
On hellmotel's review of Anastacia - Anastacia
"@hellmotel she's on my list <3"
On hellmotel's review of Anastacia - Anastacia
"I've been wanting to check this for a while, I just know the singles. Know it's a personal review but still got me excited to check her"
On b4's review of Lady Gaga - Abracadabra
"@Felipe_2006 Me deixou bem animado pro Mayhem!"
On b4's review of Lady Gaga - Abracadabra
"Essa nova é muito boa aaaaah"
On vivi's review of Lady Gaga - Abracadabra
"This one is sooo good!"
On Justin Timberlake - FutureSex/LoveSounds
"@SYNTHZ_Z é muito bom! Bastante coeso. Ele é um álbum longo, mas ele consegue manter a experiência bastante coesa e brinca bastante com as interludes."
On *NSYNC - No Strings Attached
"@SYNTHZ_Z com toda certeza! Parece um programa de trainee"
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