This album simply goes hard. Best production Lucki has hopped on in years. Plus he's absolutely sliding on these beats. Some of his flows go insanely crazy (shoutout 'Supertune!') and he sounds very much alive throughout most of the project. As for the features, great verses from Veeze and Baby, though Rylo's was a bit forgettable. Tbh I always knew he had one in him, but wasn't expecting this to be it. So happy to be wrong on this one lol...
The thing is... he doesn't need to do this. He has experimented plenty throughout his career and even messed with autotune during The Voidz album cycles. Julian might be ruining some really great ideas here. I like the production a lot. I just don't want to hear his voice drowned in some wacky autotune...
Muito mais caótico que a sua contraparte, o segundo disco homônimo da Gal em 69 é uma verdadeira trip nos sons do rock psicodélico. Ácido, cheio de gritaria e versos pra absorver, considerando o contexto histórico do Brasil na época. Esse disco tem muito menos a cara de um domingo tranquilo e muito mais a vibe de ir pra um rolê muito louco e esotérico no mato com gente que usa camiseta de botão desabotoada. Talvez por isso eu ... read more
I mean... I can kinda understand where Julian was trying to go with this record. It's supposed to be this retro-futuristic trip of sorts, yet it ends up being more of a snooze fest than anything else. The autotune is very heavy on Julian's voice for a good bit of the album. It's also a very generic take on making a psychedelia/synthpop ballad. Oh, and the AI cover art just adds insult to injury...
Not going to lie, having heard this after the release of "Going ... read more