so many of these 'songs' are over so quickly it's difficult to feel anything for the tracks on here.
do they sound good in the moment? yes, but once it's over the feeling of incredible emptiness becomes prevalent.

absolutely tasty

being one of the only albums in this space sonically, it leads to more replayability than the actual quality would lead to believe. everything up to Shade is absolutely killer, but it really starts to taper off from 2093 onwards, Familia and If we Being Real being the only standouts.

many tracks feel cookie-cutter in music's landscape today and easy to tune out, but there are still plenty of fun tracks here to enjoy.
body, rendezvous, pleasure's mine, tiramisu are all still fun.

never-ending energy and absolutely killer vocals. would appreciate just a bit more grimy guitar such as the beginning of It's Far Better to Learn and Sleepers but that's the end of the complaints.

pretty monotonous to listen through to get to the actual standouts like griddle and back home.
many features here are underused too. being a big 070 shake fan it's annoying seeing her relegated to the one feature she did with kanye nearly 8 years ago.
still a well-made body of work but this is as bland as yeat can get, despite how grand this album was marketed as.

completely solid throughout with some of the hardest-hitting rage trap and most dancy and fun club cuts. though, some tracks can be a bit monotonous. sorry travis but it's your fault

so much soul is poured into the production here it feels like the circuit boards are coming alive. what a great album.

album has varied palettes sonically, though can be somewhat jarring through a full listen when transitioning between tracks. still, a fun and engaging product.

perfectly synergistic between songs with it's immaculate production and tasteful transitions. leads to a listening experience of total pleasure

infinitely replayable with laid-back yet endlessly engaging production and melancholic vulnerable lyrics. the short length keeps it fresh and concise.

music is gnarled rough and ugly (derogatory)

very ironic that peggy has been inflating his ego since ILDMLFY, talking that nobody is in the musical space that he is and that he has to 'lay claim' to make sure it's 'too late' for others to influence, while he's being outclassed lyrically and musically by a 19 year old on BloodLuxe. multiple songs blend together here with the same flow through the whole album, but maybe some corny shit like "i'm ... read more

amazing synth-heavy spacious, avant-garde production that keeps changes consistently and creatively. easy to get lost in